A well-written, surprisingly straightforward account of a not-so-straightforward war.
Second outing from Huebner (American by Blood, 2000) is pitched as a fictionalized version of the author’s relationship with his Gulf War veteran brother.
Sergeant E-5 Smith Huebner is trained to shoot the big gun in an M-1 A-1 Heavy Armor tank. He can kill with his hands or his weapon, and he knows that “the same firepower that guarded his life could kill him in an instant.” When he arrives with his group in Kuwait, tensions rise in an encounter with some Bedouins, but it will be a while before the war begins—and at least a month before anyone gets used to the heat. Back in the States, meanwhile, younger brother Sam, whom Smith had taught to smoke pot and who’s moved to New York to struggle as a writer, begins protesting the war and cultivating a drug habit. And Smith’s wife turns up pregnant. Smith is thrilled, but all he can do is document the army equipment and stare out into the desert. When the war finally begins, there’s no small amount of patriotic fanfare as a CO walks past the troops to ask what they’re fighting for and “the names, places and pledges filled the air.” Good thing, too, for it’s not long before Smith is putting tank shells through the chests of Iraqi officers. His crew feels bad about this, sure, but they’ll be fine, the reasoning goes, as long as they imagine themselves as the De Niro character in The Deer Hunter. Huebner (the author) has the banter of tank battles down and doesn’t approach war entirely without irony, but the very excitement of some sequences here feels celebratory. At end, Johnny comes marching home, and if there’s tension between the soldier and his peacenik brother it soon evaporates, and peace settles softly over the republic.
A well-written, surprisingly straightforward account of a not-so-straightforward war.Pub Date: May 1, 2003
ISBN: 0-7432-1277-0
Page Count: 288
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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