A suspenseful read with a dystopian theme.
An island thrives on a planet in crisis.
The world is slowly dying. One species after another is becoming extinct, and the last elephant has died. In this cheery world, portraitist Ben Parr is engaged to Cara Sharpe, who’s currently working on Sanctuary Rock, an island off the mainland. He earns his living by painting portraits of folks in wealthy enclaves called Villages—whenever he’d drive away from them, “the aura of money disappeared from the land, ray by ray.” But on the island is the ultimate Village, secretive and exclusive. Ben and Cara regularly exchange letters until she writes that she’s not coming back. Well, this is no good. Cara and his painting are Ben’s whole life, so he decides to go get her from this island to which no ferries go. He borrows a boat and nearly kills himself in the crossing, a brave act for one who says that “cowardice always was a weed scattered through the underbrush of my character.” A clinic cares for his wounds and asks who he is because he doesn’t belong there. He meets the super-wealthy Sir John Pemberley—just John, please—the man in charge. The island is almost completely disconnected from the mainland and will soon cut the final cord. Then they expect to survive and thrive while the rest of the world does neither. But all Ben really wants is to find Cara. Where is she? And what’s really happening on the island? Why is everyone so young? How did they eliminate rats, thus allowing seafowl to flourish again? The interesting answer matters more than just to birds. Ben is loaded with angst, but he paints and writes well, occasionally using curious words like rejectamenta and rugose. Will he ever find Cara—alive? One false note: “The very worst acts in history have been committed by men acting for the good.” Oh, really? Like Auschwitz?
A suspenseful read with a dystopian theme.Pub Date: Jan. 23, 2024
ISBN: 9798200966349
Page Count: 350
Publisher: Blackstone
Review Posted Online: Oct. 20, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.
The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.
Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.
This propulsive thriller twists into the dark and bloody underbelly of the world of fine art.Pub Date: Oct. 29, 2024
ISBN: 9780063396524
Page Count: 320
Publisher: Mariner Books
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
SEEN & HEARD
SEEN & HEARD
Expert, but unsurprising.
The death of an old friend who was more than a friend sends Dr. Kay Scarpetta down her latest rabbit hole.
If every body tells a story, the corpse of 7-year-old Luna Briley sings the blues. On top of the many signs of ongoing physical abuse, there’s the fatal gunshot wound to her head. Ryder and Piper Briley, the wealthy and powerful parents who didn’t call the police until after their daughter died, insist that Luna’s death was an accident, or maybe a suicide. Scarpetta doesn’t think so, and her refusal to release the body to the Brileys’ hand-picked mortician moves them to legal action against her as Virginia’s chief medical examiner. You’d think it would be a relief to put this case aside for another when Scarpetta’s niece, Secret Service agent Lucy Farinelli, calls her and ferries her by helicopter to an abandoned Oz theme park owned by Ryder Briley, but this one’s even more heartbreaking. Scarpetta is there to examine the body of astrophysicist Sal Giordano, her close friend and former lover, who was evidently kidnapped, held in captivity for several hours, and tossed out of an unidentified aircraft. The leading suspects are the Brileys; Carrie Grethen, Lucy’s sociopathic ex-lover, with whom Scarpetta has repeatedly tangled in the past; and the UFO that dumped Giordano’s body without leaving the usual traces for air-traffic technologies to pick up. The multiple rounds of physical examinations Scarpetta conducts on both victims are every bit as meticulous and gripping as fans would expect; the killer’s identity is neither surprising nor interesting, but Cornwell juggles her trademark forensics, and the paranormal hints she’s become increasingly invested in, more dexterously than usual.
Expert, but unsurprising.Pub Date: Oct. 8, 2024
ISBN: 9781538770382
Page Count: 400
Publisher: Grand Central Publishing
Review Posted Online: Aug. 29, 2024
Kirkus Reviews Issue: Oct. 1, 2024
BOOK TO SCREEN
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