If you can’t afford a plane ticket to Tehran, visit the Daytons’ House.
A compelling family saga that spans nearly a century and paints a loving, true-to-life portrait of a nation.
The Daytons’ novel is a deliciously complex patchwork quilt that weaves together the stories of Nargess, a long-lived and resilient matriarch, her nephew Javad, the clumsy attorney-cum-art student looking to marry, and her son-in-law Saeed, hesitantly returning home after years in exile. With these characters and others, the authors deliver the pieces of a gorgeous, decades-spanning family drama and, more crucially, the story of a nation—Iran. By delivering this bevy of interlocking portraits, the authors paint an image of Persian life more vibrant and realistic than any single history. The book follows Nargess’ sprawling clan, and a supporting cast of dozens, through nearly 90 years of Iranian collective life. From the country’s early modern history under British hegemony, through the time of the shah, the novel traces Iran’s entry into the modern Middle East. And then, from domestic and foreign perspectives, the authors dictate the revolutionary transition to the reign of the ayatollahs in the 1980s and ’90s. The closing movements leave us at the brink of the present as they capture the cultural and political intricacies of life in post-9/11 Persia. The Daytons’ writing style is detailed without lapsing into baroque hypercomplexity and their prose is lush and surprisingly dexterous; they’re as comfortable rendering the design details of a mansion anteroom as they are describing the political intrigue of a military coup and they do comedy as well as they do espionage. This variety is calibrated to mimic the complexities of 20th-century Iran, and the novel is a fascinating tribute to that land. The Daytons are also gracious enough to provide a cast list of major characters in approximate order of appearance as well as a glossary.
If you can’t afford a plane ticket to Tehran, visit the Daytons’ House.Pub Date: Sept. 20, 2011
ISBN: 978-0983095804
Page Count: 292
Publisher: N/A
Review Posted Online: May 9, 2011
Kirkus Reviews Issue: June 1, 2011
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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