SOMETHING ROTTEN

A former NPR personality and his Danish wife have their lives upended by a summer in Copenhagen.

Reuben is canceled. Dismissed unceremoniously from his job on public radio after having been caught in flagrante delicto with his wife during a work Zoom, he’s now a stay-at-home dad in Brooklyn. (“Reuben had become a victim as only a man could, refusing himself everything until his dignity had been returned, intact.”) His wife, Cecilie, has a stellar career of her own as a New York Times reporter, but when she finally has a chance to take maternity leave, she can’t wait to pack up Reuben and their baby, Arne, and head to her mother’s home near Copenhagen. Upon being reunited with her group of friends—all journalists—Cecilie learns that one, her former boyfriend Jonas, has been diagnosed with a serious neurological disorder. It becomes her mission to convince him to undergo a potentially life-saving, but risky, treatment. Meanwhile, Reuben falls under the powerful sway of another, the charismatic Mikkel. Reuben becomes obsessed with the notion that Mikkel represents the opposite of everything ailing the American man: “authentic,” unapologetic, decisive. When Mikkel takes Reuben under his wing, it will have surprisingly far-reaching consequences. With his third novel, Lipstein has created a kind of trilogy of young New York men in ethically dubious circumstances, mostly of their own making. (This time, though, the novel contains a dual point-of-view from both Reuben and Cecilie, broadening the palette.) One of Lipstein’s gifts is his slipperiness—just as the reader feels a character’s foibles are being mocked or even pitied, the target shapeshifts, the moral questions twisting and dissolving. If this all sounds like abstract philosophical fun, don’t worry: Lipstein knows his way around a plot.

An interrogation of the nature of truth, virtue, and reality, cloaked as a page-turning novel of escalating crises.