A wonderfully fun book showing that the art of having a good time has not been lost.
An entertaining look at a vibrant, “interactive, interpretive, and immersive” pop-culture community.
There was a time when cosplay—dressing up in costumes based on characters from movies, TV shows, comic books, or video games—was seen as a marginal, geeky pastime. In the past couple decades, however, it has gone mainstream, turning into an avenue for enjoyment and escape for vast numbers of people. Liptak, a journalist and proud cosplayer, walks through the history, noting that Jules Verne once held a party where the guests could dress as a character from one of his novels. Modern cosplay began with the first Star Wars movie. Liptak was enthralled with the uniforms of the stormtroopers; when he wanted to make his own, he found out that many other people did, too. This was the beginning of the 501st Legion, the largest Star Wars cosplay group, with more than 15,000 members. The association conducts charity fundraisers and performs other good works, but most of the members like to compare tips to bring their costumes ever closer to the source material. Of course, the internet has allowed cosplay to flourish, and there is a remarkable number of conventions and gatherings around the world, celebrating everything from Star Trek to sexual role play. Liptak notes that the nature of cosplay events has changed in the past few years, with a higher turnover of characters and more anime heroes. The technology for making costumes has also changed, with 3-D printers adding a new dimension. The moviemaking studios were initially wary of cosplaying, pointing to the potential for copyright infringement, but they came to accept and embrace it (as long as it doesn’t affect their merchandise profits). Some cosplayers have turned their hobby into a business, but most just want to enjoy the ride. Liptak renders all of these community-building adventures with aplomb.
A wonderfully fun book showing that the art of having a good time has not been lost.Pub Date: June 28, 2022
ISBN: 978-1-5344-5582-5
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Jan. 23, 2022
Kirkus Reviews Issue: March 1, 2022
A revelatory meditation on shattering journeys.
Bearing witness to oppression.
Award-winning journalist and MacArthur Fellow Coates probes the narratives that shape our perception of the world through his reports on three journeys: to Dakar, Senegal, the last stop for Black Africans “before the genocide and rebirth of the Middle Passage”; to Chapin, South Carolina, where controversy erupted over a writing teacher’s use of Between the World and Me in class; and to Israel and Palestine, where he spent 10 days in a “Holy Land of barbed wire, settlers, and outrageous guns.” By addressing the essays to students in his writing workshop at Howard University in 2022, Coates makes a literary choice similar to the letter to his son that informed Between the World and Me; as in that book, the choice creates a sense of intimacy between writer and reader. Interweaving autobiography and reportage, Coates examines race, his identity as a Black American, and his role as a public intellectual. In Dakar, he is haunted by ghosts of his ancestors and “the shade of Niggerology,” a pseudoscientific narrative put forth to justify enslavement by portraying Blacks as inferior. In South Carolina, the 22-acre State House grounds, dotted with Confederate statues, continue to impart a narrative of white supremacy. His trip to the Middle East inspires the longest and most impassioned essay: “I don’t think I ever, in my life, felt the glare of racism burn stranger and more intense than in Israel,” he writes. In his complex analysis, he sees the trauma of the Holocaust playing a role in Israel’s tactics in the Middle East: “The wars against the Palestinians and their Arab allies were a kind of theater in which ‘weak Jews’ who went ‘like lambs to slaughter’ were supplanted by Israelis who would ‘fight back.’” Roiled by what he witnessed, Coates feels speechless, unable to adequately convey Palestinians’ agony; their reality “demands new messengers, tasked as we all are, with nothing less than saving the world.”
A revelatory meditation on shattering journeys.Pub Date: Oct. 1, 2024
ISBN: 9780593230381
Page Count: 176
Publisher: One World/Random House
Review Posted Online: Aug. 2, 2024
Kirkus Reviews Issue: Sept. 1, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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