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MY EPIDEMIC

AN AIDS MEMOIR OF ONE MAN’S STRUGGLE AS DOCTOR, PATIENT AND SURVIVOR

An affecting AIDS account from the epidemic’s trenches.

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A survivor of the AIDS epidemic chronicles his unique role as both doctor and patient in this debut memoir.

Faulk was a physician during the AIDS epidemic. In fact, from 1984 to 1991, he limited his practice to patients with HIV, a population for whom the disease was viewed as a death sentence. The author possessed one thing that many other doctors of the time did not: He was infected with HIV himself. “In spite of my efforts to separate the two roles of doctor and patient,” he recalls, “every patient’s illness became a mirror of my own disease. Every time I walked into an examination room I was seeing me, talking to me, diagnosing me—in every patient I saw, I saw myself.” With this book, Faulk recounts his singular experience straddling both sides of the AIDS crisis. It is, in part, a narrative of death: The author treated some 50 patients who died as well as his partner and many of his friends. (As he labored to make them comfortable, he assumed his own death was imminent.) It is also a narrative of one community’s tremendous courage, empathy, and triumph in the face of an existential threat and a wider culture that turned its back on it. From his time in medical school, when he first caught wind of the disease at the edges of his social circle, to his long and ultimately tragic relationship with his partner, Jack, to his current marriage and activism all these years later, the author offers an account of love, loss, grief, and survival. Faulk’s prose is warm and wistful, and he describes the people in his life with great admiration and generosity. His bedside manner is present even in his descriptions of the hard times, as when he had to inform people of their diagnoses: “As part of this strategy, I wouldn’t answer questions which weren’t asked; I would wait for the patient to lead me to their hopes and fears. I wouldn’t rush. I would take my time.” The author’s experience makes him particularly suited to speak about the scope of the epidemic, and his story is a valuable window into a time that was not long ago and yet has become so difficult to imagine.

An affecting AIDS account from the epidemic’s trenches.

Pub Date: Dec. 1, 2019

ISBN: 978-1-73342-910-8

Page Count: 240

Publisher: Self

Review Posted Online: Dec. 28, 2019

Kirkus Reviews Issue: Feb. 1, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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