by Andrew M. Greeley ‧ RELEASE DATE: June 16, 1997
Who said anything about Danielle Steel? Father Greeley (Irish Lace, 1996, etc.) seems to have discovered Proust, if this elliptical—and endless—reminiscence of ancient pleasures and regrets is to be taken as a sign. Patrick Keenan, recently made a monsignor, grew up among the ``country club'' Irish of suburban Chicago and entered a seminary in the 1940s. There, his best friend was Leo Kelly, quieter and less self-assured than Patrick, and a sharer of Patrick's infatuation with Jane Devlin, a fiery redhead from the wrong side of the tracks. The Devlins had made a shady fortune and couldn't quite fit in with the ``Old Houses'' set at the lake resort where the Keenans hung out, but Jane's stunning good looks and—this being Greeley, after all—magnificent jugs help persuade even the most ardent snobs to overlook her shanty origins. Leo is still smitten with Jane when he drops out of the seminary, but whatever hopes he holds out vanish when two friends are killed in an automobile accident and Leo is falsely accused of driving the car. Although everything blows over, Leo feels the need to get away, so he joins the Marines and is sent to Korea, where he's captured and mistakenly reported killed in action. Jane, heartbroken, marries a drunken lout; Leo, depressed, survives prison, starts a new life as a political scientist, and marries a neurotic graduate student. Thirty unhappy years later, Leo, appointed provost of the University of Chicago, returns to the lake to sort out his life. Monsignor Keenan is able to prod him along the way, of course, to the happy ending we'd had all figured out by page eight. Too long and rambling to be a page-turner, although it has the usual Greeley graces (simple characters, even simpler ideas) in a plot that's not nearly as complex as it wants to be. For true believers only. (Literary Guild and Mystery Guild selections)
Pub Date: June 16, 1997
ISBN: 0-312-86082-X
Page Count: 416
Publisher: Forge
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1997
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Han Kang ; translated by Deborah Smith ‧ RELEASE DATE: Feb. 2, 2016
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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by Han Kang ; translated by Deborah Smith & Emily Yae Won
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by Han Kang translated by Deborah Smith
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