Invaluable political reportage in a time of crisis—and with little comfort in sight.
A searching study of the right-wing gate-crashers who have overwhelmed social media in the Trump era.
New Yorker staff writer Marantz is fond of Martin Luther King’s arc of history/arc of justice trope, though he allows that King himself wasn’t quite as optimistic as his famed aphorism might suggest: We bend the arc of history, he notes, and it’s pretty twisted at the moment. More to the point is political philosopher Richard Rorty’s 20-year-old warning that the decline of progressivism meant that the only political figures “channeling the mounting rage of the newly dispossessed” would be populists on the right. Bingo, and with them, Rorty added, would come the rollback of civil rights gains, to say nothing of heightened misogyny and socially acceptable sadism. Marantz’s travels into the camps of those right-wingers at the gates proves Rorty correct, and the author clearly documents their use of social media to advance right-wing causes, leveraging such vehicles as Facebook, whose owner, Mark Zuckerberg, pleaded innocence by insisting “that Facebook was a platform, not a publisher.” Some of the figures that Marantz covers are self-serving disrupters who threw verbal grenades into the crowd just to see what would happen. Others are true believers, notably the alt-right figure Richard Spencer, who turns up at odd moments. Some are even more or less reputable journalists who weren’t upset to see the “smug little cartel” of the establishment press taken down a few notches by the Trump administration. TV news, “dominated by horse-race politics and missing planes and viral outrage,” may be bad, writes Marantz, but what if what comes along next is worse? He makes his own case, wading into the throngs of rightist influencers with some trepidation but no effort to disguise his establishment credentials. It’s not a happy picture, but Marantz does offer some hope in the evident splintering of the right as the provocateurs discover that “all memes eventually outlast their utility.”
Invaluable political reportage in a time of crisis—and with little comfort in sight.Pub Date: Oct. 8, 2019
ISBN: 978-0-525-52226-3
Page Count: 400
Publisher: Viking
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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