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THE POET AND THE VAMPYRE

THE CURSE OF BYRON AND THE BIRTH OF LITERATURE'S GREATEST MONSTERS

As Stott reveals in this engrossing history, lust, greed and the unquenchable thirst for fame were forces of evil that...

A literary history reveals the sorrows of the Romantics.

Central to Romanticism was the cult of personality, the “ideology of the creative genius and its attendant fascination with the lives of individuals.” Among the most fascinating was Lord George Gordon Byron, who, by 1816, was the most famous poet in England, as much for the gossip he incited as for his sensuous poetry. As Stott (English/Univ. of Buffalo, SUNY; The Pantomime Life of Joseph Grimaldi, 2009) argues in this impressive group biography, Byron assiduously created himself as a celebrity by “generating rumors about his atheism and sexual appetites, and by appearing dressed as a monk or in flamboyant Albanian robes, hosting orgiastic parties in which wine was drunk from a carved skull.” Women swooned over him, no one more persistently than Claire Clairmont, stepsister of Mary Shelley, who began her pursuit when she was 16. Claire, Mary and her lover, Percy Bysshe Shelley, and Byron’s sometime friend and personal physician John Polidori make up the tragic cast of characters entangled with, and wounded by, the self-serving Byron. Despite this book’s sensational title, Stott focuses not on the creature in Mary Shelley’s Frankenstein nor The Vampyre, a tale by Polidori that Byron stole and published under his own name; the literary monsters who emerge from this story of selfishness and manipulation are Byron and Shelley. Although Byron deigned to sleep with Clairmont, he rejected her when she became pregnant, then insisted on sole custody of their daughter, refusing to allow Claire to see her. Shelley’s abandoned wife, Harriet, killed herself at 21; Mary’s half sister Fanny killed herself, as well, “unsettled” by Mary and Percy’s elopement. Polidori, a victim of Byron’s scorn and his own failed aspirations, committed suicide at the age of 25.

As Stott reveals in this engrossing history, lust, greed and the unquenchable thirst for fame were forces of evil that imbued the age of Romanticism with grief.

Pub Date: Sept. 15, 2014

ISBN: 978-1-60598-614-2

Page Count: 464

Publisher: Pegasus

Review Posted Online: May 28, 2014

Kirkus Reviews Issue: June 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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