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STARVE ACRE

Top-shelf gothic-folk horror.

A couple’s son is dead. But something is lingering.

Richard and Juliette Willoughby are grieving the recent loss of their young son, Ewan. While Richard is on leave from the university where he teaches history, he has little to do on his inherited rural English homestead except explore the nearby fields. There, he excavates a hare skeleton and the roots of an oak once used as a gallows and tries to fend off neighbors who claim they can help him and Juliette communicate with Ewan from the grave. Richard is skeptical of such talk when he isn’t infuriated by it, but an inconsolable Juliette is willing to try. Cannily revealed details explain why: Regional lore is suffused with tales of possession and murder, and Ewan experienced stunning spasms of violence (deliberately slamming a classmate’s hand in a door, then worse) that made Richard and Juliette pariahs. Meanwhile, Richard is blinding himself to the evidence of eerie malevolence that’s emerging right before his eyes. Hurley originally published this book in the U.K. in 2019 under a pseudonym as part of a series of novels purporting to be neglected classics of 1970s horror; he’s ably captured the vibe of the era’s demon-spawn novels like Rosemary’s Baby and The Exorcist. Hurley smartly tells the story mainly from the perspective of Richard, who (like the reader) is shut out from the darkest depths that killed his son and threaten his wife. The explanations are deliciously, terrifyingly vague (“I didn't like the dark....It was talking to me,” a 5-year-old Ewan says) until the novel’s chilling, well-turned ending puts matters into clearer focus and Richard’s vision of the countryside as a bucolic retreat is undone forever.

Top-shelf gothic-folk horror.

Pub Date: July 4, 2023

ISBN: 9780143137788

Page Count: 224

Publisher: Penguin

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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WITCHCRAFT FOR WAYWARD GIRLS

A pulpy throwback that shines a light on abuses even magic can’t erase.

Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.

Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.

A pulpy throwback that shines a light on abuses even magic can’t erase.

Pub Date: Jan. 14, 2025

ISBN: 9780593548981

Page Count: 496

Publisher: Berkley

Review Posted Online: Oct. 26, 2024

Kirkus Reviews Issue: Dec. 1, 2024

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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