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CASANOVA IN LOVE

A richly imagined historical entertainment, capturing both the gaudy, amoral life of mid-18th-century London and the character of one of history’s most famous Lotharios. Miller (Ingenious Pain, 1997) clearly has a spacial affinity for the 18th century. Like his previous novel, this one doesn’t just catalog the sights and smells of an earlier (exuberant and appetitive) age, but renders in subtle and believable fashion the energies that animated it—energies boldly reflected in the person of Giacomo Casanova, the adventurer, quondam spy, would-be scholar, and infamous rake, who lands in London in 1763, at the age of 38, fleeing various outraged parties and unpleasantries on the Continent. Determined at first to live quietly, Casanova soon finds himself overcome by the old need to be known, and admired. And London, “this bruised honeycomb of a town,” would seem a perfect stage on which to play some new part. After all, “these days everyone was reinventing himself.” He acquires a manservant, Jarba, a black man who speaks several languages, is discreet, and proves to be coolly competent in a variety of dangerous situations. The danger mostly comes from Casanova’s ill-starred pursuit of the beautiful, beguiling, elusive Marie Charpillon. For Casanova, of course, reticence is arousing. But Marie, like everyone else on hand, is not what she seems. What begins as a seduction becomes, for Casanova, an obsession, and his pursuit of Marie throws him in with a robust cross-section of hustling London, from aristocratic bawds and thuggish lords to assassins and even an imperturbable blind judge. Only the multitalented Jarba’s efforts save Casanova from destruction. Miller, meanwhile, injects a shrewd reading of Casanova into the action, revealing a man of extraordinary gifts doomed by his own appetites to frustration and melancholy. And he discovers a fitting image of an age enthralled by grand gestures, by the idea of imposture, and by the artistry of living well. Another moving, persuasive and satisfying tale from the most original historical novelist now working. (First printing of 35,000; $50,000ad/promo; author tour)

Pub Date: Oct. 1, 1998

ISBN: 0-15-100409-9

Page Count: 288

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1998

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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