A richly imagined historical entertainment, capturing both the gaudy, amoral life of mid-18th-century London and the character of one of history’s most famous Lotharios. Miller (Ingenious Pain, 1997) clearly has a spacial affinity for the 18th century. Like his previous novel, this one doesn’t just catalog the sights and smells of an earlier (exuberant and appetitive) age, but renders in subtle and believable fashion the energies that animated it—energies boldly reflected in the person of Giacomo Casanova, the adventurer, quondam spy, would-be scholar, and infamous rake, who lands in London in 1763, at the age of 38, fleeing various outraged parties and unpleasantries on the Continent. Determined at first to live quietly, Casanova soon finds himself overcome by the old need to be known, and admired. And London, “this bruised honeycomb of a town,” would seem a perfect stage on which to play some new part. After all, “these days everyone was reinventing himself.” He acquires a manservant, Jarba, a black man who speaks several languages, is discreet, and proves to be coolly competent in a variety of dangerous situations. The danger mostly comes from Casanova’s ill-starred pursuit of the beautiful, beguiling, elusive Marie Charpillon. For Casanova, of course, reticence is arousing. But Marie, like everyone else on hand, is not what she seems. What begins as a seduction becomes, for Casanova, an obsession, and his pursuit of Marie throws him in with a robust cross-section of hustling London, from aristocratic bawds and thuggish lords to assassins and even an imperturbable blind judge. Only the multitalented Jarba’s efforts save Casanova from destruction. Miller, meanwhile, injects a shrewd reading of Casanova into the action, revealing a man of extraordinary gifts doomed by his own appetites to frustration and melancholy. And he discovers a fitting image of an age enthralled by grand gestures, by the idea of imposture, and by the artistry of living well. Another moving, persuasive and satisfying tale from the most original historical novelist now working. (First printing of 35,000; $50,000ad/promo; author tour)
Pub Date: Oct. 1, 1998
ISBN: 0-15-100409-9
Page Count: 288
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1998
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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