Miller's debut, an unusual but uneven cautionary tale cloaked in a historical novel, features a cold-blooded English surgeon, literally a freak of nature, who works wonders in the mid-18th century until being spectacularly undone by his pride. Born of his mother's adultery in the midst of a moonlit midwinter skating party, James Dyer is marked by that icy violation: He utters not a sound and is completely numb to pain, whether his or anyone else's. The first condition lasts only a few years, so that he can speak by the time his family is obliterated by smallpox. He learns to feign pain from a huckster who uses the boy's lack of sensation to sell snake oil medicine to crowds thrilled by seeing James pierced with needles. Rescued from this life by a mysterious, wealthy landowner, James soon discovers that he has become part of his patron's personal collection of freaks, but endures it until he observes an amateurish, lethal operation, sickening to everyone but himself, to separate Siamese twins who were also in the menagerie. He escapes to the Royal Navy, where his aptitude for surgical technique soon has him operating coolly in the heat of battle, then leaves the sea to set up a private practice in Bath. His reputation as a surgeon becomes as huge as his notoriety for coldness and greed. He is shunned in spite of his skills when he drives his wine-addled partner to suicide. Unruffled, James joins a wild race between English physicians to minister to the Empress of Russia, but en route he meets a witch in the woods, whereupon he loses the race but gains the ability to feel—a transformation inducing madness and necessitating a long, excruciatingly painful recovery. Vivid and precise in its isolated scenes, but suffering from a loose, ineffectual narrative. The result is a mere accumulation of arresting incidents rather than the taut, haunting story it could well have been.
Pub Date: April 1, 1997
ISBN: 0-15-100258-4
Page Count: 338
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1997
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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