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THE LIFE AND OPINIONS OF MAF THE DOG, AND OF HIS FRIEND MARILYN MONROE

An unusual, quirky and fun read.

Maf (short for Mafia Honey), a Maltese Bichon born in Scotland, gives us insights into his privileged life—and discourses on everything from politics to psychiatry to contemporary art—as he passes as a gift from Frank Sinatra to Marilyn Monroe.

Maf is brought over to Los Angeles by a Mrs. Gurdin, who turns out to be the mother of Natalie Wood (née Natasha Gurdin). While Maf starts his new life in the plush surroundings of Sherman Oaks, he quickly moves on to Sinatra and then to Marilyn Monroe. Maf’s cuteness, affability and portability make him an ideal companion for Marilyn but also provide the means for him to overhear intimate conversations that she has with a number of her famous friends. O’Hagan gives us a sharp picture of American cultural life in the early 1960s, where celebrities parade through parties, get-togethers and soirées that Marilyn attends. Making appearances in this novel—and sometimes participating in rather bitchy (no pun intended) conversations—are Alfred Kazin, Lillian Hellman, Carson McCullers, Angie Dickinson, Lionel and Diana Trilling, Edmund Wilson, Dwight MacDonald, Noel Annan, Frank O’Hara, Irving Howe, Lee Strasberg and a host of others. Maf absorbs (and retells) it all with canine verve and abandon, offering his own considerable insights into the mix as well. For example, he compares Marilyn’s admiration of her own reflection to “the central panel of Hans Memling’s remarkable triptych, Earthly Vanity and Divine Salvation, in which Vanity is pictured with her little white lapdog, a model of companionship.” Maf is not only an intellectual, but he persuades us that his owner Marilyn is as well, for she spends much of her time reading books like The Brothers Karamazov and is eager to find academics with whom to discuss this classic. We also get glimpses into Marilyn’s insecurity and dejection about not having a father, for Maf recounts some of her psychiatric sessions with Marianne Kris, wife of psychoanalyst/art historian Ernst Kris.

An unusual, quirky and fun read.

Pub Date: Dec. 6, 2010

ISBN: 978-0-15-101372-2

Page Count: 288

Publisher: Houghton Mifflin Harcourt

Review Posted Online: July 26, 2010

Kirkus Reviews Issue: Aug. 15, 2010

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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