Next book

THE SECRET LIFE

THREE TRUE STORIES OF THE DIGITAL AGE

Three well-written but fleeting vignettes from some of the darkest edges of the internet.

Three intriguing pieces of journalism about the new threats of a digital age.

O’Hagan (The Illuminations, 2015, etc.) is known as a three-time Man Booker Prize–nominated novelist, but he’s also a razor-sharp London-based reporter, as evidenced by these three stories from “the wild west of the Internet, before policing or a code of decency.” His subjects are diverse and mostly well-known. In the first, “Ghosting,” the author describes how he assumed the unenviable position of ghostwriting the autobiography/manifesto of Julian Assange, the infamously imperiled WikiLeaks founder. “It needs to be more like Ayn Rand,” said Assange during one of their strange meetings. “I don’t know if I can help you with that,” was the author’s straightforward reply. Describing his subject as “a cornered animal,” O’Hagan delivers a troubling portrait of paranoia, trespasses, and consequences that feels unique because of the writer’s unique proximity to his subject. The second work, “The Invention of Ronald Pinn,” is equally dark, chronicling O’Hagan’s successful attempt to create a real identity for a long-dead man. He succeeded in generating an income with Bitcoins and buying heroin and counterfeit money online. “To the moderators of Silk Road or Agora,” writes the author, “the world is an inchoate mass of desires and deceits, and everything that exists can be bought or sold, including selfhood, because to them freedom means stealing power back from the state, or God, or Apple, or Freud. To them, life is a drama in which power rubs out one’s name; they are anonymous, ghosts in the machine, infiltrating and weakening the structures of the state and partying as they do, causing havoc, encrypting who they are.” The third story, “The Satoshi Affair,” finds O’Hagan tapped to reveal the identity of Craig Wright, an awkward Australian computer scientist, as “Satoshi Nakamoto,” the cryptic inventor of Bitcoin, only to find that even his real subjects can be frauds after all.

Three well-written but fleeting vignettes from some of the darkest edges of the internet.

Pub Date: Oct. 10, 2017

ISBN: 978-0-374-27791-8

Page Count: 240

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 16, 2017

Kirkus Reviews Issue: Aug. 1, 2017

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview