A richly detailed cultural history.
How printed matter has shaped the course of war throughout history.
British historian Pettegree offers a wide-ranging investigation of the role of books in warfare, considering ways that “print in all its manifestations” has inspired patriotism and justified conflict, contributed to the information and skills needed for waging war, supported civilians on the home front, and kept up the morale of troops. Drawing on published and archival material, including letters and diaries, Pettegree closely examines several treatises specifically addressed to warfare: Sun Tzu’s ancient classic The Art of War; Machiavelli’s The Art of War, from 1521; and Carl von Clausewitz’s On War, published in 1832. While these books focused on military strategy, other publications set the stage for justification: Harriet Beecher Stowe’s Uncle Tom’s Cabin, for example, proved influential in shaping Union support for the Civil War. In late-19th-century Britain, articles in magazines addressed to young men, such as The Boy’s Own Paper, nurtured a martial spirit. Pettegree discusses books that disseminated “poisonous ideologies,” as well as nations’ efforts to censor and control public access. Nazis, as is well known, burned books by Jews and others they considered undesirable. During World War I, pro-German books were cleared from U.S. libraries. In contrast, much effort has been devoted to finding safe havens for books vulnerable to bombings. The “books for Sammies” campaign distributed books to fighting men in WWI. During World War II, library associations and publishers—notably Penguin, in the U.K.—provided mountains of books for soldiers, none more so than the Armed Services Editions, which shipped 122 million copies of more than 1,300 titles to soldiers around the world. As in his recent history The Library, Pettegree makes a solid case for the endurance of books in daily life and during conflicts, “notwithstanding the domination of new technologies of war-making and information gathering.”
A richly detailed cultural history.Pub Date: Dec. 5, 2023
ISBN: 9781541604346
Page Count: 480
Publisher: Basic Books
Review Posted Online: Sept. 26, 2023
Kirkus Reviews Issue: Oct. 15, 2023
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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