A heartwarming summer chronicle, ideal for teens struggling with their sexuality.
It’s summer vacation in the small town of Caneville, La., and 17-year-old Sam LaHay has a secret in Decker’s debut young adult debut.
The story opens at the beginning of summer—Sam’s last as a high school student. For the teenager, summer means a steady job at his mother’s nursery, junk-food binges with his best friend El (short for “Eleanor”) and the chance of a romantic encounter with Evan, one of his co-workers at the nursery. Evan doesn’t know that Sam is gay. No one does—or so he thinks. Sam’s plans for an ideal summer take a turn when El gets a job at a craft store at the mall, giving her a completely different schedule than Sam’s. El manages to convince Sam to spend some time with Mikey, one of their classmates whom Sam finds slightly odd. The two spend a good part of an afternoon together until Mikey tries to kiss him. After that, Sam discovers that El and Evan are dating. After Mikey runs away following a fight with his father, Sam finds him and the two realize they have a lot to learn from each other about being gay in a small town. Though the book is largely focused on Sam wrestling with the idea of coming out, Decker spends an equal amount of time illustrating a teenager’s lazy summer life in a small town: the neighbors, the malls, the boredom. Young adult readers will appreciate Decker’s frank discussion of sexuality, and those facing a similar experience will find Sam’s story relatable and edifying. The conclusion is packaged a little too neatly, but overall the book is a sweet coming-of-age story made even more appealing by Sam’s quirky narration.
A heartwarming summer chronicle, ideal for teens struggling with their sexuality.Pub Date: May 28, 2010
ISBN: 978-1441597380
Page Count: 88
Publisher: Xlibris
Review Posted Online: July 7, 2010
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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