A painfully honest, but tender, examination of how love goes awry in the places it should flourish.
A Midwestern family struggles to rewrite its flawed history.
The proverbial road paved with good intentions runs through the quintessentially Middle American city of St. Louis in this acute debut novel. After nearly 20 years on the faculty of wealthy private Danforth University, Arthur Alter remains a disgruntled non–tenure track engineering professor. Two years a widower, at age 65 he's entangled in a joyless relationship with a colleague, a German history professor young enough to be his daughter. His children, introverted Ethan and generous Maggie, still mourn the passing of their mother, Francine, a family and couples therapist, while they find themselves adrift in their own lives. Ethan's deep in debt in Brooklyn after having left his consulting job, and Maggie works at an assortment of undemanding odd jobs for her Queens neighbors. With his wife's income gone and his teaching load slashed, Arthur, notorious for his miserliness, now faces the prospect of losing his heavily mortgaged home in an upscale suburb. His financial bailout scheme involves inviting his children home for a long weekend and inveigling them to part with a portion of their inheritance from Francine, a generous bequest she bestowed on them while intentionally bypassing Arthur. The younger Alters' return goes anything but the way Arthur plans or the children expect. But amid the tragicomic misadventures that befall each of the family members during that visit, Ridker reveals how the roots of Arthur's tightfistedness lie in a well-intentioned, three decades–old effort to apply his engineering skills to solving the sanitation problems of rural Zimbabwe. Ridker meticulously peels away the scabs that have grown over the wounds of the surviving Alters, laying bare, with compassion and piercing wit, the long-simmering antagonisms that haunt both father and children. At the same time, he gently hints at a way forward for this decidedly imperfect, but oddly appealing, family.
A painfully honest, but tender, examination of how love goes awry in the places it should flourish.Pub Date: March 5, 2019
ISBN: 978-0-525-52271-3
Page Count: 320
Publisher: Viking
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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