by Andrew Scull & Charlotte MacKenzie & Nicholas Hervey ‧ RELEASE DATE: Jan. 1, 1997
A terse traipse through Foucault terrain that explores the careers of several Victorians who made a living out of the ``lunacy trade.'' According to sociologist Scull (Univ. of Calif., San Diego) and British health and education experts MacKenzie and Hervey, the advance of capitalism in the 19th century gave rise to a whole class of people who brought ``skill and expertise rather than material goods'' to the marketplace. And while a career associated with the mentally ill was still thought ignominious in England, a number of ambitious men sought to make names for themselves, and make their way in the medical establishment, by proselytizing their ``cures.'' Purging, vomiting, and punitive treatment had formerly been the practice in asylums, but an onslaught of moral reform agents campaigned to revolutionize the system. John Haslam, who rose to prominence at Bethlem Hospital for the insane in London, even published a book promoting the necessity of benevolence in such institutions. Yet when a group of reformers spontaneously toured the asylum, they were aghast to find the patients naked and shackled in their cells, their bodies smeared with excrement. Other, more consistent figures honestly sought change through a variety of non-medical cures but ended up resorting to medical solutions in the face of failing idealism and low recovery rates. Nevertheless, the new social consciousness about the insane, combined with the advent of psychoanalysis, formed the foundation for modern psychiatry. In tracing the lives of the men who shaped the field of psychiatry in Britain, the authors relentlessly drive home the the manner in which the needs of a society shape its principles and theories, while also lucidly emphasizing the effect of social ambitions on personal philosophy. A punchy study that makes up for its occasionally dry tone with scholarly rigor and zeal. (18 photos, not seen)
Pub Date: Jan. 1, 1997
ISBN: 0-691-03411-7
Page Count: 408
Publisher: Princeton Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1996
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by Andrew Scull
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by Andrew Scull
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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