Moody and bittersweet: Save it for a literal rainy day and read in one sitting.
A slender collection of 16 interconnected stories set in and around a rain-soaked mountain town in Tennessee.
In this tender and pensive debut, the legends of sylvan, hard-luck (and fictional) Cleecey's Ferry connect its residents across time, age, and station of life: a girl who roamed the woods, blinded by eyelashes so long they hung in waist-length braids; a doomed circus elephant that still haunts the collective memory more than a century later; a drowned town hastily abandoned that sleeps under the waters of the reservoir lake; and the Rainpainter's colored sheets that hang between trees in the frequent downpours. In "Whittled Bone," a father collects curios to re-create scenes from his runaway daughter's dream journal. In "Satellites," a son gathers prescriptions using an invented back injury so he and his sister can assist their terminally ill father with his suicide on the night a satellite will fall back to Earth. After the death of his young son, the father in "Heirloom" flees in secret to a lonesome cabin, where he befriends the local crows and builds a mysterious box based on plans outlined on a series of left-behind postcards he finds in a drawer. In "Elephants," two boys visit the grave of Mary the Elephant, who was executed when a long-ago circus came to town, with Mary's demise then portrayed in minute detail in "How To Hang a Circus Elephant." (A warning to the curious that, yes, Mary's tale is based on true events.) Transformative loss and fragile hope permeate these stories, which are filled with gentle, stoic, and fractured masculinities, eroding memories, dead-enders and last-chancers, widowed fathers, lost children, and dead, dying, and otherwise departed mothers. Though all proceed at a fairly homogenous drift-down-the-river pace and are suffused with an alluring but rarely variable eccentric Appalachian melancholy, author Siegrist's atmospheric, fluid, and merciful prose proves irresistible.
Moody and bittersweet: Save it for a literal rainy day and read in one sitting.Pub Date: Oct. 5, 2021
ISBN: 978-1-938235-88-7
Page Count: 196
Publisher: Hub City Press
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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