Agile, informative, even revelatory pieces that, together, show us both the great variety of humanity and the interior of a...
A veteran journalist and travel writer collects pieces dating back to the late 1980s.
Solomon (Clinical Psychology/Columbia Univ.; Far from the Tree: Parents, Children, and the Search for Identity, 2012, etc.), who has won both the National Book Critics Circle Award and the National Book Award, has not assembled these pieces haphazardly. As he notes in a long (44 pages), lovely introduction—and reiterates in the acknowledgements sections—many of the essays required substantial revisions. He also appends to each a short prologue and epilogue, setting the stage, updating us on events and people, and confessing the inaccuracy of some predictions. Arranged in rough chronology, the pieces reflect Solomon’s impressive career. In the early ones, the author deals principally with art and artists (from Russia to China to South Africa), while the later ones focus on issues ranging from economic inequality (Brazil) to sexual identity (Ghana) to autobiography (Romania—his family emigrated in 1900). Throughout, Solomon evinces an intrepid traveler’s confidence, though he sometimes visits places that were life-threatening, from ghettos around the world to Australia, where he nearly lost his life scuba diving. Some essays are very personal, others mostly expository. He tells us early on, for example, that he is gay, but we don’t learn much about his husband (and, later, two children) until late in the text. In between, Solomon globe-trots, interviewing people from all walks of society, from the president of Ghana to impoverished people living in the most distressed circumstances from South Africa to the favelas of Rio de Janeiro. The author tried but failed to reach Antarctica, but he did experience an African safari and—in an excerpt from The Noonday Demon, his 2001 book about depression—visited the Solomon Islands to see how some locals dealt with the demon that has periodically tormented him.
Agile, informative, even revelatory pieces that, together, show us both the great variety of humanity and the interior of a gifted writer’s heart.Pub Date: April 19, 2016
ISBN: 978-1-4767-9504-1
Page Count: 576
Publisher: Scribner
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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