Trenchant observations from an influential journalist.
The veteran journalist collects his controversial views on sex, religion, politics, and plagues.
Sullivan, whose essays, reviews, articles, and blog posts have appeared in the New Republic (where he was an editor), the New York Times, New York magazine, and the Weekly Dish newsletter, gathers 60 pieces from the past three decades that serve as both a chronicle of his life and a record of significant transformations in American culture. Describing himself as having “a querulous, insistent curiosity that sometimes relishes the hostility it often provokes,” Sullivan is not surprised to have incited strong responses: “An essay insisting on the biological roots of masculinity enraged some feminists; my opposition to ‘hate crime’ legislation maddened my fellow gays; my account of the moment AIDS in America no longer qualified as a plague was denounced.” His attack on the use of torture by the Bush administration infuriated the right, just as his attack on critical race and gender theory incensed the left. As a gay man, Sullivan has lived through a sea change in attitudes about homosexuality and gender, from grudging allowances for domestic partnerships to the legalization of gay marriage. His own marriage, in 2007, seemed momentous. With mixed feelings, he observes the erosion of any “single gay identity, let alone a single look or style or culture.” He argues that “distinctive gayness” was “integral” to gay identity. “It helped define us not only to the world but also to ourselves,” he writes. “Letting go is as hard as it is liberating, as saddening as it is invigorating.” Testosterone therapy, which he began in 2000 as a result of being HIV-positive, made him viscerally aware of the surge of energy, aggression, lust, and anger that resulted from what he called the “He Hormone.” Other pieces reveal Sullivan’s thoughts on Christianity, the death of his beloved beagle, Princess Diana as a cultural icon, Obama as a beacon of hope, and, most recently, Covid-19.
Trenchant observations from an influential journalist.Pub Date: Aug. 10, 2021
ISBN: 978-1-5011-5589-5
Page Count: 576
Publisher: Avid Reader Press
Review Posted Online: June 15, 2021
Kirkus Reviews Issue: July 1, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
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