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DARK MIDNIGHT WHEN I RISE

THE STORY OF THE JUBILEE SINGERS, WHO INTRODUCED THE WORLD TO THE MUSIC OF BLACK AMERICA

Very readable history of a forgotten period and a group that saved their school and taught the world to sing their songs.

A bittersweet and movingly told story of the African-American singers who introduced Negro spirituals to audiences in the US and Europe to raise money for their alma mater, experiencing great triumphs and humiliating prejudice in the process.

Ward (Our Bones are Scattered, not reviewed) begins the story in Nashville, Tennessee, as the Civil War ends and hundreds of freed slaves flock to the city. While rival church groups worked to establish schools, Ward concentrates on the institute founded by the America Missionary Association. Named after General Fisk, the head of the local Freedmen's Bureau, it eventually became known as Fisk University. By 1871, with Fisk deeply in debt and facing possible closure, George White, a devout abolitionist and music lover, decided that Fisk's only hope was for him to take a group of his nine best singers, men and women, on the road to raise money. Singing Negro spirituals, still unfamiliar to many in the North, they performed in halls and churches from Ohio to Massachusetts. Emboldened by their success but still needing money, White then took the group abroad. Ward vividly details their three lengthy tours that included visits to England (where they were guests of William Gladstone and sang for Queen Victoria) and Europe (where they performed for the Dutch and German royalty). They raised more that $150,000 (the equivalent of $2.5 million today), but it was at a cost: White was worn out, his successors overprogrammed the singers, the singers quarreled (and some left), and in the US they had to endure abuse, stay in inferior lodgings, and travel in segregated trains. But their songs were embraced by a whole new audience, moved by the melodies and words of hope.

Very readable history of a forgotten period and a group that saved their school and taught the world to sing their songs.

Pub Date: May 1, 2000

ISBN: 0-374-18771-1

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2000

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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