by Andrew Weil ‧ RELEASE DATE: Nov. 15, 1983
Well (The Marriage of the Sun and Moon, Chocolate to Morphine) at his unusual and controversial best: a rigorous exploration of the broad questions raised by "alternative therapies" that opens up the whole issue of a mind-body connection and its importance in healing. The Harvard-trained physician and adept of traditional cures draws on his own experiences (as patient and physician), on medical and scientific literature, and on reports from colleagues and acquaintances to develop a new model of health and healing. In Well's view, orthodox, allopathic medicine has much to offer (it's the treatment he'd choose for severe trauma or heart attack, for instance); but it has become bound by its practitioners' efforts to make it a "real" science, like physics or chemistry. In actuality: "health and illness are. . . close to the mysteries at the heart of existence." On the other hand, traditional therapies like homeopathy, faith healing, and acupuncture (to which Well would turn first for some cancers, arthritis, and many chronic diseases), if unable to fully explain the mind-body connection, do exploit it to the fullest in healing. Well would define health as a temporary "dynamic and harmonious equilibrium of all the elements and forces making up and surrounding a human being." Perfect health, analogously, is unattainable. It is all right to be sick (anger and guilt interfere with healing); the body has innate healing abilities that can be cultivated; agents of disease—like genes—are not causes of disease (thus, possibilities for prevention increase); all illness involves both mind and body components; each body is different, and has its own weak point. Proceeding from such new ideas, Weil examines the history and practice of allopathic medicine, osteopathy, chiropractic, naturopathy, Chinese medicine, Shamanism, mind cures, faith healing, psychic healing, holistic medicine, and quackery: what works and what doesn't in each system? what do they have in common? what does it all mean for the future? New kinds of research are needed, Well concludes, into such "anomalous occurrences," with mind-body implications, as wart cures (why does the raw potato/new moon treatment work?), placebo responses, and spiritualists-walking-barefoot-on-hot-coals. It also behooves us to change our concept of proven: let it mean "tested"—by time, experiment, or experience—and the way will be open to the use of alternative therapies. Meanwhile, we should learn how to keep healthy most of the time and "to recognize and correct most deviations from health" without consulting orthodox or unorthodox practitioners. A sound theoretical exploration, personably set forth.
Pub Date: Nov. 15, 1983
ISBN: 0395377641
Page Count: 296
Publisher: Houghton Mifflin
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Nov. 1, 1983
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by Andrew Weil
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by Andrew Weil
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by Andrew Weil
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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