Longer on description than prescription but a provocative work of social criticism.
“In places where jobs disappear, society falls apart”: a sobering portrait of a crumbling polity.
Yang is the founder of Venture for America, a nonprofit that, like the Peace Corps, places young college graduates in urban startup companies in order to boost local economies. One place in dire need of such attention serves as a kind of canary in the American coal mine: Camden, New Jersey, a definitively contracting environment where hope is at a premium and all the negative social indicators high—all because the local economy has declined and disappeared. This is all part of what the author terms the “Great Displacement,” which is the product of financialization, globalization, and technologization—i.e., processes that make jobs at the lower rungs of the social ladder very hard to come by, if not extinct. This world of “normal people” may be besieged, but that of the well-heeled, well-schooled, and technological is very bright indeed. As Yang notes, the average starting salary in Silicon Valley for engineers is nearing $200,000, a draw that has led to a decline in humanities enrollments and boost in technical degrees, so much so that Stanford University might just as well be renamed the Stanford Institute of Technology. In a rather depressing tour of have and have-not places (and all too many have-not places have “a casino smack dab in the middle of their downtown”), Yang projects that the latter are likely to grow while the former will become smaller, more isolated enclaves, a vision out of H.G. Wells in which “automation and the lack of opportunity” yield a legacy of social ruin. The author’s support of a guaranteed basic income is just one aspect of a platform to fend off that bleak future. He also looks at such things as the “social credit” system of bartering goods and services and reforming the higher education system to “teach and demonstrate some values.”
Longer on description than prescription but a provocative work of social criticism.Pub Date: April 3, 2018
ISBN: 978-0-316-41424-1
Page Count: 304
Publisher: Hachette
Review Posted Online: Feb. 4, 2018
Kirkus Reviews Issue: Feb. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
IN THE NEWS
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
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