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LIFE ON THE WIRE

THE LIFE AND ART OF AL PACINO

Above-average celebio, showing extra research, by the author of Fast Fade (1988). Pacino is a rich subject, both as man and actor. Yule does fairly well on the acting, though one wants even more than is given. Pacino's private life—for which there was some secondhand input from Pacino through other interviewees—is well done, but Yule draws back from getting into Pacino's long love affairs with Jill Clayburgh, Tuesday Weld, Kathleen Quinlan, and Diane Keaton, about which Pacino and friends are closemouthed. Most amusing is Pacino's rivalry from Off-Broadway to Hollywood with fellow short- person Dustin Hoffman, which climaxed when they were approached by a fan in Rizzoli's bookstore and passed themselves off as each other. Pacino was raised in the Bronx by his grandparents, his mother having left him when he was three. This seems to be the reason he has never married: His memories of his mother are strong and warm, and he apparently doesn't want to be left behind again by a woman. Pacino was also something of a child prodigy as an actor, would memorize and act out movies before he could read, was called ``The Actor'' throughout his school years. As Yule shows, he had a fabulous gift for comedy but fell into roles as a psychotic and never got the full release of his comedic talent until his role as Big Boy Caprice, which stole Dick Tracy and won him the Oscar for Best Supporting Actor—while his third take on Michael Corleone, in Godfather III, failed to win even a nomination. Pacino's poor choices in material, Yule explains, come about when he parts from producer Martin Bregman, and his trials with Shakespeare have been unsuccessful stretches. Some pictures, damned on opening (Scarface among them), have later returned as classics when stripped of hype. Well done but not as memorable as Fast Fade, with Pacino emerging as admirable. (Photos—not seen.)

Pub Date: Oct. 31, 1991

ISBN: 1-55611-274-2

Page Count: 320

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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