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THE MAN WHO 'FRAMED' THE BEATLES

A BIOGRAPHY OF RICHARD LESTER

Yule has written better-than-average lives of Al Pacino, Sean Connery, and David Puttnam, among other works; here, Richard Lester only seems a lesser figure until you weigh his full plate of achievements. Lester (b. 1932) broke into entertainment in Philadelphia in 1951 at WCAU-TV, where he mounted five shows daily, including a personal failure featuring himself whose reviews begged for the show's death. Philadelphia offering little future, then, he took off for England, fell in with Peter Sellers and Spike Milligan, fresh from radio's The Goon Show, and directed them in a new TV show, Idiot Weekly, whose surreal comedy lifted English reviewers into ecstasies. This was followed by A Show Named Fred, then by Son of Fred—which failed because Milligan had gone overboard with minimalist sets and lost the audience. But Lester showed he could deliver amazingly funny film with the 11-minute classic The Running, Jumping, Standing Still Film and the full-length musical It's Trad, Dad!—two films that induced the Beatles into accepting him as director of their first film, It's a Hard Day's Night, and then of Help! Yule has much fun showing Lester improvising on the script and the Beatles inventing much of their material—George Harrison actually wrote, ``What do you call that haircut?'' and John Lennon's reply, ``Arthur.'' Later, A Funny Thing Happened on the Way to the Forum let Lester work with Zero Mostel, Phil Silvers, and Buster Keaton, and was followed by the hilarious How I Won the War (featuring John Lennon), the San Francisco farce Petulia, and The Three Musketeers and its sequel. We watch him film Robin and Marian, Superman II, Superman III and still another Musketeers sequel. Also included is the script for a scene written for Paul McCartney but then deleted from the final cut of A Hard Day's Night. A running, jumping biography that never stands still except for a final interview with Lester, now much more cautious about his projects.

Pub Date: March 21, 1994

ISBN: 1-55611-390-0

Page Count: 448

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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