Adults looking for tools to introduce the subject of the Holocaust will find a helpful beginning in this emotion-driven...
A fablelike introduction to the Holocaust for the youngest audiences.
Ruthi and Leib frolic happily in a field gathering flowers with their mother. But when “soldiers stomped brutish boots into town,” their mother goes off to find food and never returns. The plot continues apace, with no repetition or structure to guide children’s understanding (save multiple references to “strawberry smiles”); the siblings are separated in an orphanage, and Ruthi goes to a nightmarish place “where numbers replaced names.” She survives the war, emigrates, builds a life for herself as an adult, and, in her old age, reunites with her brother. Reminiscent of the stylings of Art Spiegleman’s Maus, the children—based on compiled stories of Jewish youth, according to an author’s note—are represented as rabbits (albeit with “blonde curls” on Leib and straight, dark locks that flow past Ruthi’s ears), with other animal people present in background scenes. The prose attempts a flowery, poetic style, which is sometimes powerful and sometimes distracting. Tiny details indicate the specific historical events of the Holocaust, but since it’s never directly referred to, children will need help contextualizing the story.
Adults looking for tools to introduce the subject of the Holocaust will find a helpful beginning in this emotion-driven story. (Picture book. 5-8)Pub Date: April 1, 2019
ISBN: 978-1-68115-538-8
Page Count: 32
Publisher: Apples & Honey Press
Review Posted Online: Jan. 27, 2019
Kirkus Reviews Issue: Feb. 15, 2019
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
A jam-packed opener sure to satisfy lovers of the princess genre.
Ice princess Lina must navigate family and school in this early chapter read.
The family picnic is today. This is not a typical gathering, since Lina’s maternal relatives are a royal family of Windtamers who have power over the weather and live in castles floating on clouds. Lina herself is mixed race, with black hair and a tan complexion like her Asian-presenting mother’s; her Groundling father appears to be a white human. While making a grand entrance at the castle of her grandfather, the North Wind, she fails to successfully ride a gust of wind and crashes in front of her entire family. This prompts her stern grandfather to ask that Lina move in with him so he can teach her to control her powers. Desperate to avoid this, Lina and her friend Claudia, who is black, get Lina accepted at the Hilltop Science and Arts Academy. Lina’s parents allow her to go as long as she does lessons with grandpa on Saturdays. However, fitting in at a Groundling school is rough, especially when your powers start freak winter storms! With the story unfurling in diary format, bright-pink–highlighted grayscale illustrations help move the plot along. There are slight gaps in the storytelling and the pacing is occasionally uneven, but Lina is full of spunk and promotes self-acceptance.
A jam-packed opener sure to satisfy lovers of the princess genre. (Fantasy. 5-8)Pub Date: June 25, 2019
ISBN: 978-1-338-35393-8
Page Count: 128
Publisher: Scholastic
Review Posted Online: March 26, 2019
Kirkus Reviews Issue: April 15, 2019
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