An inventive, linguistically adept experiment that appears to have been made painful to read on purpose.
A musician takes stock of his sordid life in this seedy, stream-of-consciousness confessional set in the streets, basements, and other hives of Sweden.
Tichý’s sort-of-novel was shortlisted for Sweden’s most prestigious literary prize, but whether this ranting, breathless confessional makes more sense in the original language is anyone’s guess. Even if it had more form and a less nonsensical style, at best it would keep company with the likes of Kerouac and the form-shattering Beats or maybe with the junkie lit that takes a meandering path from Burroughs to Irvine Welsh and on to Tony O’Neill’s desperate memoirs or, more recently, Nico Walkers’ Cherry. Yes, there are chapter breaks, but the novel itself is not so much crafted as unloaded in one rarely broken, sporadically punctuated block of first-person soliloquy by the protagonist, a freelance musician named Cody. As they say, music is his life, and he spends much of the novel pontificating on genres and specific bands ranging from John Cage to Nirvana in High Fidelity–like fashion, although his specific obsession seems to be with the surrealistic Italian composer Giacinto Scelsi. The book is also something of a contemplation on mortality, as punctuated by the musician’s brief introductory interlude with a half-beaten addict on a bridge that comes back around as a surrealistic echo late in the game. The setting is raw, largely taking place in ugly hidey-holes that could just as easily be found in the council blocks of London or Edinburgh or Chicago’s public housing projects as in the gritty housing estates dotting the city of Malmö, Sweden. A mostly forgettable supporting cast doesn't distract much from Cody’s self-lacerating monologues, which can run pages at a time with only the occasional comma to break his caustic train of thought: “...I don’t know, Cody, I don’t know why I’m going over this again, over and over again, this mess, over and over again, this miserable shit, this murderously boring dirge...” and so on and on and on.
An inventive, linguistically adept experiment that appears to have been made painful to read on purpose.Pub Date: June 2, 2020
ISBN: 978-1-911508-76-2
Page Count: 200
Publisher: And Other Stories
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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