THE BOATMAN'S DAUGHTER

The remote Arkansas bayou is a swirling kaleidoscope of murder, greed, and dark, ancient magic in Bram Stoker Award finalist Davidson’s second novel (In the Valley of the Sun, 2017).

The rotting Holy Day Church and Sabbath House, where the preacher Billy Cotton held his congregants in his thrall, serves as a painful reminder to 21-year-old Miranda Crabtree of the night 10 years ago when she and her father, Hiram, the boatman, took the midwife (and witch) Iskra there to deliver Cotton's son. As soon as Cotton laid eyes on the infant’s mottled, scaly skin and webbed hands, he called him an abomination and tried to kill him. Iskra had other ideas, and the baby, whom Miranda called Littlefish, survived. But Hiram disappeared that night, and she’s since dreamed of finding his body (because he’s surely dead) and laying him to rest. It's Miranda’s love for the mute, goodhearted Littlefish that has kept her going, and with Iskra's help, she's spent years running her father's general store and eventually running dope for Cotton and his cruel and corrupt deputy, Charlie Riddle, to make ends meet. Now, Billy Cotton’s kingdom has crumbled around him and his body is riddled with cancer. Before dying, he’s desperate to appease the angry ghost of his wife, who died in childbirth, but he’ll need a sacrifice. On Miranda’s last run for Riddle, she’s ordered to deliver a young girl to Cotton, which she’s not about to do even though she knows her refusal will start a war she might not survive. But she’s ready, and the time for a reckoning has come. Davidson’s captivating horror fable combines the visceral violence of Cormac McCarthy with his own wholly original craftsmanship, weaving rich, folkloric magic with the best elements of a gritty Southern thriller. The book's lightning-fast pace doesn’t come at the expense of fully realized, flawed, and achingly human characters. Ample bloodshed is offset by beautiful prose, and the bad guys are really, really bad. Luckily, Miranda, a young woman forged in hardship and grief and buoyed by her love of a very special child, is a perfect foil for the evil she’ll have to face.

A stunning supernatural Southern gothic.