by Andy Hullinger John Solimine illustrated by John Solimine developed by Small Planet Digital ‧ RELEASE DATE: May 23, 2012
With its distinctive look, a great drawing element that's actually appropriate to the story and a moral that values...
The story of a magical dragon brush that can bring painted objects to life casts its own spell.
Bing-Wen, a slender rabbit from a poor family, loves to paint. His luck turns when he helps an old woman with an overturned cart and is awarded a paintbrush made from the whiskers of a dragon. Bing-Wen finds that everything he paints comes to life, even if the transformations don't always turn out the way he plans. When he tries to help his village by painting sources of food, the emperor is not pleased and arrests the boy. What follows is a clever reversal, in which Bing-Wen gives the emperor what he wants but in a way that saves Bing-Wen and his village. Characters are rendered in subtle, evocative colors and with appropriate, often funny detail. Artwork throughout is subtle and elegant, with Chinese-inspired touches like menu buttons in the shape of paper lanterns. But the app's greatest strength is the way it allows children to "fill in" Bing-Wen's paintings then watch them come to life. The text throughout is as clear and plainspoken as the narration, with good, punchy vocabulary. A separate painting feature is equally well-produced.
With its distinctive look, a great drawing element that's actually appropriate to the story and a moral that values cleverness over power, Bing-Wen's app is as rare and magical as the dragons he loves to paint. (iPad storybook app. 3-8)Pub Date: May 23, 2012
ISBN: N/A
Page Count: -
Publisher: Small Planet Digital
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: July 15, 2012
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by John Solimine ; illustrated by John Solimine
by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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SEEN & HEARD
by Adam Wallace ; illustrated by Andy Elkerton ‧ RELEASE DATE: Oct. 4, 2016
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)
Wallace and Elkerton continue their series about catching elusive mythical creatures (How to Catch a Leprechaun, 2016, etc.) with this Christmas story about an elf who must avoid traps constructed by children before Santa’s annual visit.
The unnamed elf narrator is the sole helper traveling with Santa on his delivery rounds on Christmas Eve, with each house featuring a different type of trap for elves. The spunky elf avoids a mechanical “elf snatcher,” hidden in a plate of cookies, as well as simple traps made of tinsel, double-sided tape, and a cardboard box concealing a mean-looking cat. Another trap looks like a bomb hidden in a box of candy, and a complicated trap in a maze has an evil cowboy clown with a branding iron, leading to the elf’s cry, “Hey, you zapped my tushy!” The bomb trap and the branding iron seem to push the envelope of child-made inventions. The final trap is located in a family grocery store that’s booby-trapped with a “Dinner Cannon” shooting out food, including a final pizza that the elf and Santa share. The singsong, rhyming text has a forced cheeriness, full of golly-jolly-holly Christmas spirit and too many exclamation marks, as well as rhyming word pairs that miss the mark. (No, little elf-boy, “smarter” and “harder” do not rhyme.) Bold, busy illustrations in a cartoon style have a cheeky appeal with a focus on the freckle-faced white elf with auburn curls and a costume with a retro vibe. (Santa is also white.)
A forgettable effort that fails to capture any of the magical charm of Santa’s story. (Picture book. 3-6)Pub Date: Oct. 4, 2016
ISBN: 978-1-4926-4631-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Oct. 11, 2016
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by Alice Walstead ; illustrated by Emma Gillette & Andy Elkerton
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