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THE DOOR

The unwieldy plot twists and turns, always creating new questions, but it leaves an uncomfortably large aperture—an...

Twelve-year-old Hannah Silver, armed solely with some newfound knowledge and her three imaginary friends, crosses a forbidden threshold to try to find the soul of her recently, unexpectedly deceased—likely murdered—mother.

During the same week in which she begins public school after years of home schooling, Hannah learns that two mysterious visitors to her and her mother’s solitary lighthouse existence are returned-from-the-dead Watchers and that she and her mother are Guardians: humans charged with guarding the only door from the world of the living to the city of the dead. Shortly after the visit, Hannah finds her mother’s corpse and, grief-stricken, enters the city of the dead. Once there, she engages in a thrill-a-minute fantasy adventure, touring surreal, sometimes–high-tech neighborhoods populated by souls working toward something called Ascension—think Dante’s circles as written by J.K. Rowling. The short chapters end with suspenseful hooks to keep pages turning, and the pace accelerates exponentially. The third-person-omniscient storytelling, coupled with plenty of humor, keeps the darker implications of the tale at bay. Hannah’s new friends in the afterlife are especially delightful—particularly artistic Stefan, with his pet chameleon and magical paintbrush. The trope-heavy text contains some swipes at bureaucracy, ideologues and belief systems.

The unwieldy plot twists and turns, always creating new questions, but it leaves an uncomfortably large aperture—an unfinished hero’s journey or, more aptly, a literary purgatory. (Fantasy. 8-12)

Pub Date: April 29, 2014

ISBN: 978-0-545-55137-3

Page Count: 304

Publisher: Scholastic

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

Readers can still rely on this series to bring laughs.

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 18, 2019

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THE LION OF LARK-HAYES MANOR

A pleasing premise for book lovers.

A fantasy-loving bookworm makes a wonderful, terrible bargain.

When sixth grader Poppy Woodlock’s historic preservationist parents move the family to the Oregon coast to work on the titular stately home, Poppy’s sure she’ll find magic. Indeed, the exiled water nymph in the manor’s ruined swimming pool grants a wish, but: “Magic isn’t free. It cosssts.” The price? Poppy’s favorite book, The Lion, the Witch, and the Wardrobe. In return she receives Sampson, a winged lion cub who is everything Poppy could have hoped for. But she soon learns that the nymph didn’t take just her own physical book—she erased Narnia from Poppy’s world. And it’s just the first loss: Soon, Poppy’s grandmother’s journal’s gone, then The Odyssey, and more. The loss is heartbreaking, but Sampson’s a wonderful companion, particularly as Poppy’s finding middle school a tough adjustment. Hartman’s premise is beguiling—plenty of readers will identify with Poppy, both as a fellow bibliophile and as a kid struggling to adapt. Poppy’s repeatedly expressed faith that unveiling Sampson will bring some sort of vindication wears thin, but that does not detract from the central drama. It’s a pity that the named real-world books Poppy reads are notably lacking in diversity; a story about the power of literature so limited in imagination lets both itself and readers down. Main characters are cued White; there is racial diversity in the supporting cast. Chapters open with atmospheric spot art. (This review has been updated to reflect the final illustrations.)

A pleasing premise for book lovers. (Fantasy. 9-12)

Pub Date: May 2, 2023

ISBN: 9780316448222

Page Count: 320

Publisher: Little, Brown

Review Posted Online: Feb. 24, 2023

Kirkus Reviews Issue: March 15, 2023

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