Children's book author Medear°s has bitten off more than she can chew in trying to cover Africa and the Caribbean as well as early and modern African-American cooking. Simple recipes are nothing special: almond-infused warm milk from Morocco is soothing, but hardly worth the hour necessary to prepare it, and an eggplant dip from Nigeria is piquant, although attempts to grind, as instructed, a teaspoon of sesame seeds and a single clove of garlic in a standard blender are bound to fail. The chapter on ``Slave Kitchens'' provides some of the most interesting fodder for thought with a recipe for fried squirrel. Modern African-American dishes are somewhat characterless in comparison. It is hard to discern any appropriate cultural roots in crab salad with feta dressing and fajitas filled with shellfish. A brief, tacked-on chapter supplies menus and a few dishes for holidays like Juneteenth (June 19, emancipation day in Texas) and Kwanzaa. There are a few cooking faux pas here that simply cannot be ignored: A recipe for black beans and rice calls for undrained canned beans, adding a hefty dose of sodium, and a recipe for Ethiopia's flat injera bread calls for Aunt Jemima's Deluxe Easy Pour Pancake Mix in place of the traditional grain teff; while this may be the way injera is commonly made today, it will strike some readers as a bad ethnic joke. Medear°s dots these pages with mostly banal quotes from well- known African-Americans like Booker T. Washington, Oprah Winfrey, and...herself. A multicultural mess.
Pub Date: Oct. 11, 1994
ISBN: 0-525-93834-6
Page Count: 320
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1994
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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