When her father disappears, 20-year-old Mia Parkson cannot ask the one person who knows what happened—her brother, who does not speak.
After Miracle Creek (2019), the title of Kim’s second novel could make it seem to be part of a series—and thematically, it is, again combining an exploration of neurodiversity and its effects on family dynamics with a mystery, in this case a missing person story, again set in the Northern Virginia suburbs, again with a smart woman lawyer named Shannon Haug on the scene to make brilliant charts. Here, Kim has done even more with what are now clearly her signature materials by nesting this whole situation inside the philosophical question of what creates happiness, one which the missing man, Adam Parson, was privately studying in notebooks documenting his research and experimentation (most of it on his own family). All of this comes to us through the narrator, his daughter, Mia, a brilliant, acerbic chatterbox whose relentless analysis spills from long, ropy sentences into parentheticals and footnotes that lasso the reader into turning the pages. Listen to her: “Labeling anything about our family ‘typical’—I just have to shake my head. I’m not even thinking about the typical-adjacent stuff like John’s and my boy-girl twin thing, our biracial mix (Korean and white), untraditional parental gender roles (working mom, stay-at-home dad), or different last names (Parson for Dad + Park for Mom = mashed up into Parkson for us kids)....Where we’re indubitably, inherently atypical is with my little brother Eugene’s dual diagnosis: autism and a rare genetic disorder called mosaic Angelman syndrome (AS), which means he can’t talk, has motor difficulties, and—this is what fascinates many people who’ve never heard of AS—has an unusually happy demeanor with frequent smiles and laughter.” Got all that? Mia is an amazing creation, as is Eugene. But what is most remarkable about this book is the way Mia's father’s “happiness quotient” theory ripples not just through the plot of the novel, but through the life of the reader.
The claim that a book will change your life often seems like exaggeration. Here the potential is real.