A straightforward sci-fi story in an unorthodox but entertaining package.
In Woodward’s (Americanisation, 2011, etc.) sci-fi comedy, a New Orleans couple must prevent aliens from exterminating the human race.
College writing instructor Warren Avon spots what appears to be a “long, black acorn” while walking near his home. It’s actually a tiny spaceship containing Jerry and Phthsspitty-snapp, aliens from the planet Xxzzrrrva. The former is a scientist on his 29th planetary mission, and the latter, an intern on her first voyage. Their probe of Earth, which they call “Grawgraw-3,” is halted when Warren captures their ship, so Jerry initiates communication with the human. As he relates their mission, he takes the opportunity to ask Warren about Earth. Jerry finds out that petroleum is a valuable local fuel, and he’s sure that Xxzzrrrva’s Exploratory Board will destroy humanity to keep them from wasting it. The two aliens, along with Warren and his wife, Penny, devise a plan to stop Jerry’s superior, Councilor Hmmm, from authorizing mankind’s eradication. This isn’t an easy task, especially after Jerry inadvertently blows up an oil rig in the Gulf of Mexico. The group also faces another seemingly impossible task—to somehow convince humans to use alternative fuel sources. Unusually, Woodward structures his entire novel as a “TERMS OF USE” agreement. However, this agreement also includes excerpts from a book (with Warren listed as its author) that advance the more traditional story in a chronological manner. This offbeat approach is frequently hilarious, as when the agreement includes an example of plagiarism that simply changes the characters’ names (“Jerry,” for instance, becomes “Larry”). Surprisingly, though, the agreement’s constant interruptions are never jarring. Although the short novel doesn’t delve deeply into its characters, they are distinctive; for example, Penny suffers from a mysterious ailment that results in conflicting diagnoses. The narrative also often provides memorable descriptions, as when Warren explains fishing boats to Jerry. The Terms of Use are more formal in tone but take comical turns; the agreement discourages loaning the book to others, offering “strategies for deflecting loan requests.”
A straightforward sci-fi story in an unorthodox but entertaining package.Pub Date: Oct. 15, 2018
ISBN: 978-0-9997862-4-6
Page Count: 242
Publisher: Spaceboy Books LLC
Review Posted Online: March 28, 2019
Kirkus Reviews Issue: May 1, 2019
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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