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GATO GUAPO

Playfully and skillfully balancing two languages, this cat tale proves cute and clever.

A fashionable feline with nine siblings teaches Spanish words and counting as part of a trip to town.

The titular cat, who walks on two legs and wears a top hat, a scarf, boots, and a vest, is followed around by a varied group of sibling cats who walk on all fours, each of whom playfully pretends to be Gato Guapo. Each time, he counts the cats (“Uno, dos, tres…”), looking for the missing cat, who then appears, shouting, “¡Yo soy Gato Guapo!” and wearing one of Guapo’s items of clothing or accessories. Along the way, the book mixes in unitalicized Spanish words or phrases within the English text, unobtrusively working in enough context that most may be easily understood by young non-Spanish readers. (A word list at the end translates all the Spanish in the book.) Unlike in similar books, this story doesn’t clumsily blend languages or rely on the oft-used technique of parrot-repeating a Spanish word with its English equivalent. Instead, the phrasing flows well. However, what works so nicely in the first few pages is abandoned for the cat reveals. It would have been nice to have seen more of the well-combined bilingual flow. Still, Gato Guapo’s got a lot of style, and so does the book—the anthropomorphized animals cut winsome poses and will readily endear themselves to readers. (This book was reviewed digitally.)

Playfully and skillfully balancing two languages, this cat tale proves cute and clever. (Picture book. 4-8)

Pub Date: Feb. 28, 2023

ISBN: 978-0-06-306266-5

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 25, 2022

Kirkus Reviews Issue: Nov. 15, 2022

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PETE THE CAT'S 12 GROOVY DAYS OF CHRISTMAS

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among

Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.

If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”

Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)

Pub Date: Sept. 18, 2018

ISBN: 978-0-06-267527-9

Page Count: 48

Publisher: Harper/HarperCollins

Review Posted Online: Aug. 19, 2018

Kirkus Reviews Issue: Sept. 1, 2018

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LOVE FROM THE CRAYONS

As ephemeral as a valentine.

Daywalt and Jeffers’ wandering crayons explore love.

Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.

As ephemeral as a valentine. (Picture book. 4-6)

Pub Date: Dec. 24, 2019

ISBN: 978-1-5247-9268-8

Page Count: 32

Publisher: Penguin Workshop

Review Posted Online: Feb. 1, 2021

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