An inspiring account of a woman who followed her dreams.
The story of Rosita Dolores Alverio—best known today as Rita Moreno—a girl from Puerto Rico who loved to sing and dance.
At a young age, Rosita leaves her island home with her mother to settle in New York City. Her new school is a “fortress of brick” where she is teased for “her accent, darker skin, and curly hair.” In order to speak back to the bullies, Rosita practices until her inglés is perfect; this tenacity will continue throughout her life. She starts dancing lessons at 6, and it is soon clear that “onstage, she is home.” As her dancing and acting careers progress, gender and ethnic stereotypes pen her in. She must put on a fake accent to play stereotypically exotic parts. Finally, the role of a strong Puerto Rican woman comes, and it is hers: Anita in West Side Story. For this she wins the Oscar for Best Supporting Actress, the first Latinx performer to ever win an Oscar. It is here that the story ends, though the backmatter includes an author’s note and timeline that show that Rosita—now Rita—continues a life of professional successes and lifelong political activism. Espinosa’s illustrations are as vibrant as the character he portrays. Rosita and her mother have beige skin and black hair, and the New Yorkers are multiethnic, but the people—mostly men—that surround her in Hollywood are White.
An inspiring account of a woman who followed her dreams. (Picture book/biography. 4-8)Pub Date: Nov. 3, 2020
ISBN: 978-0-06-287770-3
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2020
Kirkus Reviews Issue: Oct. 1, 2020
A supplemental rather than introductory book on the great artist.
Frida Kahlo’s strong affection for and identification with animals form the lens through which readers view her life and work in this picture-book biography.
Each two-page spread introduces one or more of her pets, comparing her characteristics to theirs and adding biographical details. Confusingly for young readers, the beginning pages reference pets she owned as an adult, yet the illustrations and events referred to come from earlier in her life. Bonito the parrot perches in a tree overlooking young Frida and her family in her childhood home and pops up again later, just before the first mention of Diego Rivera. Granizo, the fawn, another pet from her adult years, is pictured beside a young Frida and her father along with a description of “her life as a little girl.” The author’s note adds important details about Kahlo’s life and her significance as an artist, as well as recommending specific paintings that feature her beloved animals. Expressive acrylic paintings expertly evoke Kahlo’s style and color palette. While young animal lovers will identify with her attachment to her pets and may enjoy learning about the Aztec origins of her Xolo dogs and the meaning of turkeys in ancient Mexico, the book may be of most interest to those who already have an interest in Kahlo’s life.
A supplemental rather than introductory book on the great artist. (Picture book/biography. 4-8)Pub Date: Sept. 5, 2017
ISBN: 978-0-7358-4269-4
Page Count: 40
Publisher: NorthSouth
Review Posted Online: June 18, 2017
Kirkus Reviews Issue: July 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A unique angle on a watershed moment in the civil rights era.
The New Orleans school child who famously broke the color line in 1960 while surrounded by federal marshals describes the early days of her experience from a 6-year-old’s perspective.
Bridges told her tale to younger children in 2009’s Ruby Bridges Goes to School, but here the sensibility is more personal, and the sometimes-shocking historical photos have been replaced by uplifting painted scenes. “I didn’t find out what being ‘the first’ really meant until the day I arrived at this new school,” she writes. Unfrightened by the crowd of “screaming white people” that greets her at the school’s door (she thinks it’s like Mardi Gras) but surprised to find herself the only child in her classroom, and even the entire building, she gradually realizes the significance of her act as (in Smith’s illustration) she compares a small personal photo to the all-White class photos posted on a bulletin board and sees the difference. As she reflects on her new understanding, symbolic scenes first depict other dark-skinned children marching into classes in her wake to friendly greetings from lighter-skinned classmates (“School is just school,” she sensibly concludes, “and kids are just kids”) and finally an image of the bright-eyed icon posed next to a soaring bridge of reconciliation. (This book was reviewed digitally.)
A unique angle on a watershed moment in the civil rights era. (author and illustrator notes, glossary) (Autobiographical picture book. 6-8)Pub Date: Sept. 6, 2022
ISBN: 978-1-338-75388-2
Page Count: 48
Publisher: Orchard/Scholastic
Review Posted Online: June 21, 2022
Kirkus Reviews Issue: July 15, 2022
PERSPECTIVES
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