A haunting meditation on identity and understanding.
Sometimes, other people can see the secrets hidden right before your eyes.
Bonita, a young Indian woman studying at a language school in Mexico, has a series of unsettling—but ultimately intriguing—encounters with a stranger she meets in a park. Vicky, a flamboyant older woman prone to festive and traditional Mexican attire, insists that Bonita must be the daughter of her lost friend, “Rosarita,” another young Indian woman who had traveled to San Miguel many years before to study art. After initially rebuffing Vicky’s claims as outlandish, Bonita embarks on a series of reconnaissance missions, around San Miguel and onwards to Colima and the bay at La Manzanilla, in an effort to discern if there was any truth to Vicky’s accounts. Forced to make sense of several shadowy aspects of her now-deceased mother’s life story, Bonita comes to refer to Vicky herself as “the Trickster” as her confusion about her mother’s past grows. As Bonita reassesses the circumstances of her own earlier life, she comes to view some details through a more critical lens: Who was the artist behind the sketch hanging unremarked upon on the wall of her childhood bedroom, for example? Desai’s subtle exploration of memory, identity, and thwarted aspirations has a ghostly, haunted quality to it (and veers into gothic territory during a visit to Vicky’s ancestral home). This atmospheric and eerie novella is delivered in the second-person voice, adding to the sense of distance between Bonita and the truth and to an ambivalence about the identity of the coolly detached narrator. Desai honors the parallels between art inspired by the Mexican Revolution and the Indian Partition in this tantalizing story of Bonita’s attempt to reconcile layer upon layer of a family’s history.
A haunting meditation on identity and understanding.Pub Date: today
ISBN: 9781668082430
Page Count: 112
Publisher: Scribner
Review Posted Online: Dec. 28, 2024
Kirkus Reviews Issue: Feb. 1, 2025
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
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