Compelling individual stories that falter slightly as a collection.
Fourteen loosely connected stories in which characters navigate their many possible futures.
In these darkly glimmering short fictions, largely set in the San Francisco Bay area, characters are generally lovelorn, directionless, and occupying marginalized roles in society, uniformly seeking to pin down identities and experiences that keep evading definition. In the title story, an aging artist who has fallen out of love with her own work is approached in her studio by a fan who reminds her so viscerally of a younger version of her husband that he just might be a figure of the past come forward in time. In “The Encroachment of Waking Life,” potentially metaphorical time travel becomes literal as the narrator, Vaidehi, hops on a plane to San Francisco hoping to reconnect with her lover, Rama, and finds that she’s accidentally gotten on a flight to the future. For Vaidehi, only six months have passed since they’ve seen each other, but Rama’s extra “twenty years of memories” have transformed him into either a stranger or, more disconcertingly, the man he always was beneath the gloss of love’s first bloom. The theme of love distorted and identities gone awry due to the impact of speculative technologies is explored in many of these tales. In the Bluebeard-influenced “Assembly Line,” Ashlin, a Tamil American jewelry maker, is plagued by a troubling sense of “darkness and clouds” that obscures her ability to remember herself any further back than “yesterday, and perhaps the day before that,” even as she becomes more deeply involved with a student in her enameling class who works in artificial intelligence and seems eerily familiar with the self she cannot recall. In “The Glitch,” the code controlling the holograms that represent the narrator’s family is compromised, introducing the illusion of free will to the illusionary reality which “the coder” has created to escape her very real grief. Filled with engaging characters navigating their increasingly strange worlds, the stories are by turns winsome and unsettling. As a group, though, they have a tendency to keep hitting the same thematic notes, blurring some of the reader’s appreciation of their individual forms.
Compelling individual stories that falter slightly as a collection.Pub Date: yesterday
ISBN: 9798987719770
Page Count: 216
Publisher: WTAW Press
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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