Slight but fun enough.
An interactive introduction to a motley crew of mischievous monsters whose titular mayhem lands a young girl in trouble with her mum.
Whether it is doors slamming, a messy wardrobe or bath water splashed on the floor, this app’s young heroine gets the blame. She tries to explain it’s a monster behind the ruckus and that she’s doing her best to subdue them. Each monster is playfully depicted over two to three screens that highlight its idiosyncrasies. These range from goofy, such as the Scrap-adap-adocus, who loves leftover food, to the borderline inappropriate monster that “loves to expose what’s under his clothes” (lots of flab but nothing more). Users can select one of two female, British-accented narrators, a young girl and an older woman, for this rhyming text, which stretches thin at points but avoids any noticeable holes. Interactivity abounds with tappable elements and silly sound effects waiting to be discovered. There is a lengthy loading time between each screen, which is tiresome and affects navigation; it’s hard to fast-forward past a monster or return to a favorite. A game runs throughout the app, challenging users to find 20 hidden minimonsters; finding them all unlocks a bonus (particularly difficult) puzzle activity.
Slight but fun enough. (iPad storybook app. 4-7)Pub Date: Oct. 21, 2012
ISBN: N/A
Page Count: -
Publisher: Digital Leaf
Review Posted Online: Dec. 12, 2012
Kirkus Reviews Issue: Jan. 1, 2013
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
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