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THE HERO’S WALK

Well-written, heartwarming: indeed, a kind of Indian Christmas Carol—but one in which the characterization and story play a...

A provincial Bengali family enters the 21st century, in this earnest story set in Toturpuram, "a squalid little town" on the Bay of Bengal.

Badami's second novel (her first was published in 1996 in Canada, where she now lives) is as much about the everyday difficulties—lack of fresh water, erratic electricity, all-pervasive governmental corruption—of contemporary Indian life as it is about the ostensible plot. The author peppers her narrative with precious anecdotes about the eccentrics who populate Toturpuram: a madwoman who directs traffic half-naked; an ancient exhibitionist dubbed "Chocobar" after his cocoa-hued member; a housewife who snips the ends off her neighbor's drying laundry, and so on. Then there’s Sripathi Rao, a high-caste ad copywriter of a certain age, who fears nothing more than the poverty and chaos that surrounds him. He lives with a pack of characters straight from central casting—pious wife Nirmala, activist son Arun, witchy mother Ammaya, spinster sister Putti—in the rundown mansion built by his dead father. At the start, Sripathi learns that his grown daughter Maya, estranged for nine years after her marriage to an American, has been killed, along with her husband, in a car crash. Sripathi travels to Vancouver and fetches Nandana, Maya's headstrong seven year-old daughter, now rendered mute by the trauma of her parents' death. Accustomed to spotless houses, video games, and sugary breakfast cereals, Nandana reacts badly to the ripe smells and mysterious foods of India. The child's presence, however, offers the prickly, embittered Sripathi, who cut his daughter off without a second thought, a chance to redeem himself, in part by becoming free of antiquated ideas about obligation and etiquette (represented, rather clunkily, by the family's rotting house).

Well-written, heartwarming: indeed, a kind of Indian Christmas Carol—but one in which the characterization and story play a subservient role to the somewhat labored strokes of local color.

Pub Date: April 27, 2001

ISBN: 1-56512-312-3

Page Count: 368

Publisher: Algonquin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2001

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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