A captivating look at the struggle to survive—and prevail—in Tinseltown.
Movie-industry luminaries meditate on making it in a cutthroat business in Rosenberg’s collection of enlightening interviews.
The author, now a spiritual consultant and coach, moved to Los Angeles after attending New York University Film School and working in movies for years, eventually directing the cult classic Assault of the Killer Bimbos. Here, she interviews 24 showbiz friends and colleagues, gathering their insights on succeeding in a high-pressure industry that demands initiative, flexibility, creative drive, and an ability to endure crushing rejection. Included in the lineup is Brad Krevoy, who exhorts readers to stand by their great ideas (he persevered in developing Dumb and Dumber despite everyone telling him that it was dumb). Director Ernest R. Dickerson tells readers to listen to their guts, saying that “when you find someone who is electric, you take a chance on them” (the high-voltage someone in question being a then-unknown Tupac Shakur). Actress Julie Brown reflects on the importance of rolling with the punches, noting that, when she lost the lead in Earth Girls Are Easy to Geena Davis, she got a supporting part that suited her much better. And Oscar-nominated Star Wars: The Force Awakens editor Maryann Brandon enjoins readers to shape their lives like they are movies (“In order not to be left on the cutting room floor of life I think you have to be relevant. You have to be tuned in to the story of your life and the story of what is happening around you”). Armed with her own pithy aphorisms (“No one starts at the top…and there’s a lot you have to prove when you are at the bottom”), Rosenberg distills these conversations into savvy, snappy exchanges, as in writer John Auerbach’s riff on the language of pitch meetings: “When they say, ‘That’s a well-told story,’ you know you’re not going to get hired. What they’re saying is, ‘Yeah, you’ve told the story well but I have no interest in buying it.’” The result is a witty, entertaining sheaf of reminiscences, full of colorful anecdotes and acerbic wisdom.
A captivating look at the struggle to survive—and prevail—in Tinseltown.Pub Date: Feb. 24, 2024
ISBN: 978-1956474398
Page Count: 222
Publisher: Heliotrope Books
Review Posted Online: Feb. 5, 2024
Kirkus Reviews Issue: April 15, 2024
Review Program: Kirkus Indie
Cogent, well-timed ideas for meeting today’s biggest challenges.
Helping liberals get out of their own way.
Klein, a New York Times columnist, and Thompson, an Atlantic staffer, lean to the left, but they aren’t interrogating the usual suspects. Aware that many conservatives have no interest in their opinions, the authors target their own side’s “pathologies.” Why do red states greenlight the kind of renewable energy projects that often languish in blue states? Why does liberal California have the nation’s most severe homelessness and housing affordability crises? One big reason: Liberal leadership has ensnared itself in a web of well-intentioned yet often onerous “goals, standards, and rules.” This “procedural kludge,” partially shaped by lawyers who pioneered a “democracy by lawsuit” strategy in the 1960s, threatens to stymie key breakthroughs. Consider the anti-pollution laws passed after World War II. In the decades since, homeowners’ groups in liberal locales have cited such statutes in lawsuits meant to stop new affordable housing. Today, these laws “block the clean energy projects” required to tackle climate change. Nuclear energy is “inarguably safer” than the fossil fuel variety, but because Washington doesn’t always “properly weigh risk,” it almost never builds new reactors. Meanwhile, technologies that may cure disease or slash the carbon footprint of cement production benefit from government support, but too often the grant process “rewards caution and punishes outsider thinking.” The authors call this style of governing “everything-bagel liberalism,” so named because of its many government mandates. Instead, they envision “a politics of abundance” that would remake travel, work, and health. This won’t happen without “changing the processes that make building and inventing so hard.” It’s time, then, to scrutinize everything from municipal zoning regulations to the paperwork requirements for scientists getting federal funding. The authors’ debut as a duo is very smart and eminently useful.
Cogent, well-timed ideas for meeting today’s biggest challenges.Pub Date: March 18, 2025
ISBN: 9781668023488
Page Count: 320
Publisher: Avid Reader Press
Review Posted Online: Jan. 16, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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