Full-bodied storytelling with an unflinching moral backbone: one of Shreve’s best.
Shreve (Sea Glass, 2002, etc.) daringly makes the bad guy her narrator in a creepy tale of relentless love.
Nicholas Van Tassel may not seem so awful at first, as he describes the hotel fire in the winter of 1899 that introduced him to Etna Bliss. We quickly see that this 30-year-old English professor at Thrupp College in New Hampshire is pompous, ambitious, and something of a hypocrite, as well as a minor plagiarist, but we’re inclined to sympathy thanks to Nicholas’s immediate passion for Etna. Her mother has recently died, she’s living temporarily with her uncle, and the future seems to promise little more to this regal and mysterious woman than life as an unpaid governess to her sister’s children. Unless she marries Nicholas, that is, who isn’t above pressing his suit on those grounds. She accepts, making sure he knows that “I don’t think that I could . . . love you . . . in the way that a wife must love a husband.” (Their sex life, in fact, proves a disaster.) We already know through Nicholas’s framing narration, from September 1933, that this marriage has turned out badly—but the story’s central section, from fall 1914 through spring 1915, reveals just how badly—and just how far Nicholas is prepared to go to assert his desires. As he campaigns to be named dean of Thrupp’s faculty, he learns that Etna has a secret independent life. It’s entirely innocent, but that doesn’t stem Nicholas’s rage, especially when he learns that his wife had a lover before they were married. Shreve lets her narrator damn himself by his own sanctimonious words as he stoops to Jew-baiting, marital rape, and persuading his teenaged daughter to tell a catastrophic lie—all to further his ambitions, which, it becomes increasingly plain, are not just selfish but scarily obsessive. Still, since Nicholas is our window into the events, we feel his humanity even as he performs a series of despicable acts.
Full-bodied storytelling with an unflinching moral backbone: one of Shreve’s best.Pub Date: April 15, 2003
ISBN: 0-316-78226-2
Page Count: 304
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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