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LIGHT ON SNOW

One of this talented author’s lesser efforts, though fans will probably be satisfied by the readable prose and intelligent,...

From bestselling Shreve (All He Ever Wanted, 2003, etc.), a curiously listless tale of a grieving dad and daughter who rescue a newborn abandoned in the snow.

Not long before Christmas 1983, 12-year-old Nicky Dillon and her father Robert, walking in the woods near their house in New Hampshire, stumble across a baby girl wrapped in a bloody towel, the remnants of her umbilical cord still attached. They race her to the hospital, she survives, and the police launch a hunt for the parents. The Dillons’ discovery opens the still-fresh wound inflicted on a mid-December day two years earlier when Nicky’s mother and one-year-old sister Clara were killed in a car crash. Robert fled Westchester with his daughter, hoping to escape their memories in rural isolation. When the infant’s 19-year-old mother turns up, he doesn’t want to have anything to do with her, but he finds he can’t turn her in either when a convenient fainting spell and blizzard trap Charlotte in their house. Looking back on these events at age 30—for no evident reason except to give us some reassuring flash-forwards at the close—Nicky mingles the gradual unfolding of Charlotte’s story (the rotten father exposed the baby and lied to her about it) with her memories of Mom and Clara and her worries about Dad. A sympathetic local detective’s gradual closing in on Charlotte provides the not-very-suspenseful plot movement. The whole tale seems contrived, right down to Nicky’s climactic, too-pat confrontation with her father. “Are you just trying to stay sad? To hold on to Mom and Clara?” do not seem like the insights of a 12-year-old. Everything is too easy here, including the fact that we never meet the boy who actually left the newborn to die, so readers can feel comfortably sorry for everyone without having to grapple with any messy moral issues.

One of this talented author’s lesser efforts, though fans will probably be satisfied by the readable prose and intelligent, albeit shallow, character observation.

Pub Date: Oct. 4, 2004

ISBN: 0-316-78148-7

Page Count: 304

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 2004

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NORMAL PEOPLE

Absolutely enthralling. Read it.

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A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 17, 2019

Kirkus Reviews Issue: March 1, 2019

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THE BLUEST EYE

"This soil," concludes the young narrator of this quiet chronicle of garrotted innocence, "is bad for all kinds of flowers. Certain seeds it will not nurture, certain fruit it will not bear." And among the exclusions of white rural Ohio, echoed by black respectability, is ugly, black, loveless, twelve-year-old Pecola. But in a world where blue-eyed gifts are clucked over and admired, and the Pecolas are simply not seen, there is always the possibility of the dream and wish—for blue eyes. Born of a mother who adjusted her life to the clarity and serenity of white households and "acquired virtues that were easy to maintain" and a father, Cholly, stunted by early rejections and humiliations, Pecola just might have been loved—for in raping his daughter Cholly did at least touch her. But "Love is never better than the lover," and with the death of her baby, the child herself, accepting absolutely the gift of blue eyes from a faith healer (whose perverse interest in little girls does not preclude understanding), inches over into madness. A skillful understated tribute to the fall of a sparrow for whose small tragedy there was no watching eye.

Pub Date: Oct. 29, 1970

ISBN: 0375411550

Page Count: -

Publisher: Holt Rinehart & Winston

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: Oct. 1, 1970

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