Banality clutches the text tightly, too rarely releasing its wings.
An Oscar-winning actress from a celebrated entertainment family recalls her peripatetic childhood and adolescence, her various awakenings and epiphanies.
The granddaughter of Oscar winner Walter Huston (1949, for The Treasure of Sierra Madre) and daughter of Oscar-winning actor and director John Huston (1949, The Treasure of Sierra Madre, for directing and screenwriting) writes that she “was a lonely child.” However, so many personalities and celebrities swirl through the story that we begin to wonder about loneliness in a crowd. Born in 1951, she soon became a part of her father’s world, though he was often absent, off filming. She adored her mother (John’s fourth wife) but would soon learn that her father’s carnal needs were immense. He would marry a fifth time but also carry on multiple affairs with—it seems—just about any woman who would yield. The earliest sections of Huston’s memoir are the strongest: poignant details about her childhood affections, the men and women who worked on the Irish estate purchased with her father’s film profits (his habitual gambling ever endangered all), the quotidian routines of girlhood. But as time progresses, the memoir sags. Soon, her selection principle seems to be “I remember this, so I’m including it,” and a phone book of names assails readers, challenging both memory and interest. However, there are some amusing anecdotes—e.g., a plane ride with the Monkees, an appearance with an oddly detached Johnny Carson on the Tonight Show. The death of her mother (car crash) was obviously traumatizing, as was a longtime affair with photographer Bob Richardson, an affair that veered toward abusive before its end. This first installment—to be followed next year with the second volume—concludes as the author heads to Los Angeles.
Banality clutches the text tightly, too rarely releasing its wings.Pub Date: Nov. 19, 2013
ISBN: 978-1-4516-5629-9
Page Count: 256
Publisher: Scribner
Review Posted Online: Sept. 24, 2013
Kirkus Reviews Issue: Oct. 15, 2013
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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