Light paranormal fare that takes care to be tolerant and kind.
A bisexual pastry chef who's a virgin at 32 finds happily-ever-after with a witch who uses her magical powers to repair toaster ovens and other small appliances.
Not all American witches live in Salem, Massachusetts. Four hundred years ago, a pragmatic bunch moved west to Illinois to avoid execution and live polite Midwestern lives among the "mundanes," Aguirre's term for muggles. Danica Waterhouse, a modern-day descendant, co-owns a repair shop called Fix-It Witches, where she and her cousin Clementine use their technomancer powers to repair malfunctioning machines. She and Clem have made a pact to always stick together and never be sidetracked by love; their ultraconservative grandmother has told them that if they ever marry a mundane, they'll lose their magical powers, and the pool of genetically correct male witches (found on Bindr, the witchy version of Tindr) is thin on the ground. Danica and Clem plan to have children with magic sperm from the "witch-only sperm bank" and find family with the wonderful members of their coven (aka their book club). Then into her shop walks Titus Winnaker, owner of Sugar Daddy's bake shop, for help repairing a broken oven. Titus has been unnaturally unlucky in love (hint, hint); his last girlfriend married a biologist studying puffins in Iceland. Danica and Titus are jolted by the strength of their mutual attraction but also fearful: he because he might screw up another relationship and never, ever have sex, she because she's been taught that witch-mundane marriages are forbidden. Aguirre keeps the tone light and fun, punctuated by passionately detailed sex. (After mutual orgasms: " ‘I should have told you before,’ he said breathlessly. ‘My [STD] test results, I have them.’ ") The family, the friends, and even the tough witch hunter (more in the next volume about him) check all the rom-com boxes. Though the resolution of the family issues is predictable and a bit tedious, it's fun to know that witches can handle their birth control magically.
Light paranormal fare that takes care to be tolerant and kind.Pub Date: Sept. 7, 2021
ISBN: 978-1-72824-016-9
Page Count: 368
Publisher: Sourcebooks Casablanca
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.
The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.
Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.
Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.Pub Date: Oct. 18, 2022
ISBN: 978-1-668-00122-6
Page Count: 352
Publisher: Atria
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
SEEN & HEARD
SEEN & HEARD
A heartfelt look at taking second chances, in life and in love.
Two struggling authors spend the summer writing and falling in love in a quaint beach town.
January Andrews has just arrived in the small town of North Bear Shores with some serious baggage. Her father has been dead for a year, but she still hasn’t come to terms with what she found out at his funeral—he had been cheating on her mother for years. January plans to spend the summer cleaning out and selling the house her father and “That Woman” lived in together. But she’s also a down-on-her-luck author facing writer’s block, and she no longer believes in the happily-ever-after she’s made the benchmark of her work. Her steadily dwindling bank account, though, is a daily reminder that she must sell her next book, and fast. Serendipitously, she discovers that her new next-door neighbor is Augustus Everett, the darling of the literary fiction set and her former college rival/crush. Gus also happens to be struggling with his next book (and some serious trauma that unfolds throughout the novel). Though the two get off to a rocky start, they soon make a bet: Gus will try to write a romance novel, and January will attempt “bleak literary fiction.” They spend the summer teaching each other the art of their own genres—January takes Gus on a romantic outing to the local carnival; Gus takes January to the burned-down remains of a former cult—and they both process their own grief, loss, and trauma through this experiment. There are more than enough steamy scenes to sustain the slow-burn romance, and smart commentary on the placement and purpose of “women’s fiction” joins with crucial conversations about mental health to add multiple intriguing layers to the plot.
A heartfelt look at taking second chances, in life and in love.Pub Date: May 19, 2020
ISBN: 978-1-9848-0673-4
Page Count: 384
Publisher: Jove/Penguin
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK TO SCREEN
PERSPECTIVES
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