What is there to say about a cookbook whose the author openly admits, ``Personally, I can't cook''? Davis, who played the ever- devoted housekeeper, Alice, on The Brady Bunch, supplies fatuous commentary (``A nice show about nice people who were mostly very nice to each other. Gosh, that doesn't sound so terrible, does it?''), along with updates on each of the cast members (Christopher Knight, who played Peter, has appeared on ``The Love Boat,'' as has his TV sibling Maureen McCormick, better known as Marcia). Lines from episodes are plopped onto the page without any context. Recipes by playwright Newcomer (co-founder of the Scottsdale Culinary Festival) and theatrical director Smolen are linked to the show only through nonsensical names like ``Cindy's Buttery Just Butter Cookies'' and ``House of Cards Hamburgers.'' Apparently Alice rarely served the kids any fruits or vegetables. Dishes are heavy on prepared foods (many desserts incorporate store-bought candy) and red meat (Sam the Butcher's influence, no doubt), but if these are meant to reflect the Brady era, where do pesto and Brie come in? Cookies made with instant oatmeal and Snickers bars are way too sweet, and St. Paddy's Whole Wheat Oatmeal Bread has the texture of sawdust and a dog-biscuit taste only Tiger could love. A final chapter gives recipes from the cast members themselves, including Eve Plumb's lamely joking instructions for making boiled water out of ice. Even intense nostalgia cannot justify this book. (Photos, not seen)
Pub Date: Dec. 1, 1994
ISBN: 1-55853-307-9
Page Count: 256
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1994
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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