by Ann Fraistat ‧ RELEASE DATE: Jan. 16, 2024
A compelling, darkly creative, and intensely haunting examination of the masks we wear.
Sisters return to their mother’s mysterious and legendary childhood home.
Libby’s mom grew up in the internet-famous haunted house Madame Clery’s House of Masks, at once deeply unsettling and incredibly beautiful underneath decades of neglect and overgrown blue roses. Despite never having taken Libby and her sister, Vivi, to visit, they move in, seeking a fresh start after Libby’s recent mental health crisis. As if the repercussions of her suicide attempt aren’t creating enough distance between her and her family, the more questions Libby has about the strange noises she hears at night, the intricate stained-glass insects in the windows, and the multiple disappearances of the house’s inhabitants, the more her mom seems to fall under its spell. Libby is left trying to solve the mystery with the help of redheaded neighbor Flynn, who definitely knows too much. In addition to dealing with the house’s deliciously spooky, haunted vibes and its accompanying legend and horrors, Libby is struggling with a diagnosis of bipolar disorder, which Fraistat does an excellent job of exploring both from Libby’s perspective and in terms of the emotional fissures it causes within her family. As well as being deeply emotional, the book contains many shudder-inducing moments that will leave readers’ skin crawling. The girls’ white mom, who may be aromantic or asexual, conceived them using sperm donors; Libby’s donor was white, and Vivi’s was Black.
A compelling, darkly creative, and intensely haunting examination of the masks we wear. (Horror. 12-18)Pub Date: Jan. 16, 2024
ISBN: 9780593382219
Page Count: 464
Publisher: Delacorte
Review Posted Online: Sept. 23, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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BOOK REVIEW
by Ann Fraistat
by Kerri Maniscalco ‧ RELEASE DATE: Sept. 20, 2016
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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BOOK REVIEW
BOOK REVIEW
by Lauren Roberts ‧ RELEASE DATE: Nov. 7, 2023
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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