Harries’s first novel is a triumph: a captivating, intelligent work taking the reader to the South Africa of Cecil Rhodes, in 1899, a region on the brink of war. In an elegant merging of idea and character, Harries tells the story of the dying imperialist Rhodes (—The Colossus—), who believes his life will be saved if he can hear again the birds of his native England. With Rhodes begin the themes of the tragedies of power and the quest for control. He hires the Oxford ornithologist Frederick Wills, a private, anxious don, to escort a shipload of songbirds to the Great Granary, Rhodes’s manorial residences. Guests there include Rudyard and Mrs. Kipling and Leander Jameson, the leader of the infamous Jameson Raid that precipitated the Boer War; and Wills embarks on his utopian voyage in the aftermath of the trial and imprisonment of his friend Oscar Wilde, with whom he had studied at Oxford under aesthetician John Ruskin. Having abandoned Wilde to his imprisonment, Wills approaches the Great Granary with a troubled, betrayer’s soul. But great appetites abound as he arrives: Rhodes’s ambition to subjugate Africa, Jameson’s hope of fulfilling his loyalty to Rhodes, the Kiplings” fascination with young innocence—as well as the English power to “civilize.” In deftly written interjections, Wills recalls Ruskin’s obsessions with natural beauty and Wilde’s exhilarating flirtations with sexual and moral taboos. This concentration of aspirations unsettles him, and his own dream of innocent beauty uncorrupted by the human yearning for possession blossoms in his friendship with a South African girl, who enchantingly (and dangerously) flits in and out of view. Harries’s ambition is broad, but her superb control of Wills’s fussy voice—the narrative prism used to view these historical figures—diminishes their “fame” while enhancing the intimacy with which Wills and the reader comprehends them. Far from a costume history, this is a genuinely provocative debut novel about a place and time whose tragedy, folly, and several conflicted hearts are instantly recognizable.
Pub Date: April 1, 1999
ISBN: 1-58234-019-6
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1999
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
