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DO NOT GO GENTLE

MY SEARCH FOR MIRACLES IN A CYNICAL TIME

At once pointless and moving, Hood’s narrative is too sketchy and diffuse to come into any sort of clear focus—which becomes...

Tearjerker novelist Hood (Ruby, 1998, etc.) sits down to flip through her family album in this sentimental account of her father’s battle with cancer.

“The day my father was diagnosed with inoperable lung cancer, I decided to go and find him a miracle.” Many Italian-Americans will see nothing ironic in the author’s tone, inhabiting as they do a world in which supernatural grace is seen to be only somewhat less accessible than fresh figs or decent ricotta cheese. Hood set out on her errand with a good deal of self-consciousness, however. For one thing, she is only half-Italian (her father was a Baptist from the Midwest). For another, she had put most of that old-time religion behind her when she grew up, went to college, became a writer, married a Protestant, and moved into the American mainstream. But all the old stories (of curses, evil eyes, healing potions, and miraculous statues) were still stowed away in the dimmer recess of her imagination, and in the twilight of her father’s illness they began to shine with an unfamiliar new light. So she set off on a series of pilgrimages—first to find a cure, and later (after her father died in spite of her efforts) to find an answer. Some of the places she describes (e.g., Mont-St. Michel, Chartres, Lourdes) will be familiar ground for most readers, but others (El Santuario de Chimayo, New Mexico) are a good deal more obscure, and some (like the Massachusetts town where a comatose girl has developed a large cult as a “victim soul”) are downright creepy. The final pilgrimage, to her mother’s ancestral village in Italy, seems an appropriate site to wrap up the action, but it doesn’t really succeed in imparting much shape to what is a basically formless, if diverting, tale.

At once pointless and moving, Hood’s narrative is too sketchy and diffuse to come into any sort of clear focus—which becomes an annoyance in the end, despite many fine vignettes.

Pub Date: Dec. 1, 2000

ISBN: 0-312-24259-X

Page Count: 256

Publisher: Picador

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2000

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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