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THE MAGIC OF ORDINARY DAYS

A light, precisely observed novel.

A YA author’s nicely written adult debut novel blends historical richness and a fine sense of place to tell the story of a woman’s developing love for her husband—and for his Colorado farmland—over the course of six months in 1944.

In wartime Denver, Olivia Dunne becomes pregnant after a one-night stand with a departing American soldier. With the help of a local church, her father arranges her marriage to Ray Singleton, a beet farmer in faraway La Junta. Olivia’s first days on the isolated farm are awkward, and Ray, a shy, reticent man of good intentions, isn’t very adept at small talk. Precluded from contributing anything useful to the running of the farm, whose harvests are cultivated in part by labor from the local internment camp, Olivia takes long solitary walks. During one of them she meets Rose and Lorelei Umahara, Japanese-Americans from California who have been evacuated to confinement in Colorado. Young, enthusiastic, and passionate about butterfly hunting, the sisters introduce Olivia to the thriving, emotionally rich life of the camp. She keeps her friendship with the girls secret; Ray, whose brother was killed at Pearl Harbor, displays no fondness for the Japanese who work his farm. Creel does a delightful job of evoking first the dreariness of the Singleton farm and Olivia’s unnerving loneliness, then the slow ripening of her affection for Ray, a simple but profoundly kind and gentle man. Rose and Lorelei, meanwhile, hint that they have begun dating a pair of American soldiers, and Olivia drives them to meet the men in secret. But the “soldiers” turn out to be German POWs escaping with the help of the sisters, who make Olivia an unwitting accomplice. The author gives her heroine a satisfying emotional depth, moving Olivia through phases of affection and disappointment with assured confidence before closing with a tranquil scene after the baby is born.

A light, precisely observed novel.

Pub Date: July 9, 2001

ISBN: 0-670-91027-9

Page Count: 288

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2001

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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